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Women in a sunlit landscape framed by a large, vividly patterned Japanese parasol, exemplify Miller's expressionist technique.

Miller was one of the American Impressionists working in the French countryside known as the Giverny Group.

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Richard E. Miller worked with the Giverny Group, a circle of American Impressionist painters who lived in the French countryside near the village of Giverny from 1898 to 1914. Part of their attraction to the area was the presence of Claude Monet, one of the founders of French Impressionism. The American artists favored images of women in vibrant, sun-filled landscapes, surrounded by flowers and foliage. An emphasis on pattern and bold contrasts exemplifies their decorative approach.

Miller's Giverny paintings often feature women in gardens or in rooms that open to a garden. A strong sense of design and vibrant palette were hallmarks of his style. Miller also was strongly influenced by the Japanese aesthetic-popular in France in the late 1800s and early 1900s-and his studio was filled with kimonos, parasols, fans, and ceramics with Asian motifs. Afternoon Tea, with its figures framed within a vividly patterned Japanese parasol, exemplifies the artist's Impressionist technique.

Louis Ritman and Frederick Carl Frieseke were other Giverny Group artists whose works are in the IMA's collection. World War I drove many of the artists away from Giverny; Miller returned to the United States in 1914.

Atmosphere and color are never permanent; paint won't remain the same color forever. But design will stay.
-Richard E. Miller, 1932

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Richard Emile Miller

Afternoon Tea, 1910

oil on canvas

39 ½ x 32 in.

Partial and Promised Gift of Jane and Andrew Paine

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Richard Miller worked with the Giverny Group, a circle of American Impressionist painters who lived in the French countryside near the village of Giverny from 1898 to 1914. Part of their attraction to the area was the presence of Claude Monet, one of the founders of French Impressionism. The American artists favored images of women in vibrant sun-filled landscapes, surrounded by flowers and foliage. In their decorative approach, they emphasized pattern and bold contrasts.  Miller’s Giverny paintings often feature women in gardens or in rooms that open to a garden. A strong sense of design and a vibrant palette were hallmarks of his style. Miller also was strongly influenced by the Japanese aesthetic, popular in France in the late 1800s and early 1900s, and his studio was filled with kimonos, parasols, fans, and ceramics with Asian motifs.

Afternoon Tea, with its figures framed within a vividly patterned Japanese parasol, exemplifies the artist’s Impressionist technique. In this canvas, Miller used brilliant color and slashing, swirling brush strokes, which are particularly evident in the parasol, a focal point of the composition. It also gave the artist the opportunity to display his signature brand of Impressionism: intermingling textures, patterns and colors to create a vibrant display that unifies the composition.  Afternoon Tea is one of Miller’s most notable works.

Reference

Marie. Louise. Kane. A Bright Oasis: the Paintings of Richard E. Miller. New York: Jordan-Volpe Gallery, 1997. ASIN: B0006QOL0S