Diana

nationality
American
birth-death
1848-1907
Creation date
Collection
American
Materials
bronze
Dimensions
H: 41 in.
Currently On View
Location
Paine Turn of the Century American Art Gallery
Credit line
Given in memory of Jennie Ray Ormsby by her pupils
Accession number
17.254
Turn of the Century

Augustus Saint-Gaudens

Diana, modeled about 1895, cast 1905

bronze

Height 41 in.

Given in memory of Jennie Ray Ormsby by her pupils

Learn More

Irish-born sculptor August Saint-Gaudens was raised in New York City after his Irish mother and French father immigrated to America when he was six months old.  He took classes at the Cooper Union and the National Academy of Design before traveling to Paris where he studied at the Ecole des Beaux Arts. He also studied art and architecture in Rome. Upon his return to the United States Saint-Gaudens received critical acclaim for his monuments commemorating heroes of the American Civil War and his numerous funerary monuments and busts.  His colossal Standing Lincoln in Lincoln Park, Chicago is considered one of the finest portrait statues in America. It was followed by a seated statue of the president in Chicago’s Grant Park, a copy of which was placed by Lincoln’s tomb. Saint-Gaudens was an important teacher, tutoring privately and at the Art Students League of New York.  He is also known for his portrait medallions and coin designs.  Later in life he founded the Cornish Colony in New Hampshire which attracted numerous painters, architects and sculptors, including Paul Manship, Thomas Wilmer Dewing and the illustrator Maxfield Parrish. His house and gardens is preserved as Saint-Gaudens National Historic Site.

Diana, goddess of the hunt, was Saint-Gaudens’ theme for a sculptural weathervane to be placed on top of architect Stanford White’s new Madison Square Garden in New York.  The monumental gilt bronze figure became a popular success and the sculptor made many smaller-scale copies.  The IMA’s version shows the graceful, idealized lines and naturalistic forms of the Beaux-Arts style that Saint-Gaudens employed for his only nude female figure. The original eighteen-foot larger figure of Diana was much too cumbersome and unbalanced to remain as a weathervane, so a smaller thirteen-foot version was made and placed on the building where it remained until the structure was demolished and the statue acquired by the Philadelphia Museum of Art.

Reference

John H. Dryfhout. The Work of Augustus Saint-Gaudens, Lebanon, New Hampshire:  University Press of New England, 2008. ISBN-13: 978-1584657095

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