Entrance to the Port of Honfleur

Artist
nationality
French
birth-death
1863-1935
Creation date
Collection
European
Materials
oil on canvas
Dimensions
16 3/8 x 19 7/8 in.
Currently On View
Location
Robert H. & Ina M. Mohlman Gallery
Credit line
The Holliday Collection
Accession number
79.292
Provenance
Richard Samson, Hamburg;{1} Alfred Aufhauser, Samson's nephew, New York in 1930s. (Sale, Christie's, London, 30 November 1962, lot. No. 34, unsold). Martin Fabiani, Paris. (Edward Speelman, Ltd., London). (Sale, Sotheby's, London, 31 March 1965, lot no. 42 (ill.); acquired by W.J. Holliday; bequeathed to the Indianapolis Museum of Art in 1979.

{1} For the early provenance of this painting see Françoise Cachin, Signac: Catalogue raisonné de l'oeuvre peint, Paris, 2000, no. 330 (ill.)
Gallery Label

Signac was second only to Seurat as the leading figure of the Neo-Impressionist movement. He painted many of the seaports that face the Atlantic, Mediterranean, and Channel waters where he often sailed.

This seascape is the work of a self-confident painter at mid-career, who continued to refine his approach to Neo-Impressionism. By 1899 Signac preferred broader strokes, and his brushwork creates patterns that reflect his growing preoccupation with surface design. The brilliant hues of purple, green and red-orange illustrate his move away from the naturalism of early Neo-Impressionism to a freer, more arbitrary choice of color.

Reproduction of these images, including downloading, is prohibited without written authorization from VAGA.

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