From the end of the eighteenth century through the first half of the nineteenth century, a type of all-white stuffed quilt known as trapunto was popular in the United States. These quilts almost always consisted of two layers of fabric sewn together without any interlining (batting. The top layer was the finest kind of white cotton fabric one could find, and the bottom layer usually was a homespun, loosely woven white cotton or linen fabric. Only an expert needleworker could do the fine and intricate stitching required to execute the sophisticated patterns. Fine running stitches were used to embroider the pattern onto the two layers of fabric. The sculptured, high relief effect of these quilts was achieved by stuffing cotton or cording through openings made in the loosely woven backing farbic. After the desired three-dimensional effect was achieved, the threads in the open areas were sewn shut.

Because of the degree of refinement and fine stitching required, trapunto quilts were among the most difficult execute successfully. This quilt, which is only partially stuffed, has a framed medallion depicting the princess feather pattern and cornucopias overflowing with flowers. The wide border is filled with designs of leaves, flowers, grapevines and princess plumes.