Untitled Grid (Blue Queue; No Melon, No Lemon; Daredevil; Blue Double U; Grayello; Volkswagons Rust; Emblems; A Redder A; Antititian; Gray V; Felt Tip Pen; Look for (Spanish); Greyer G; Middle of a Film Noir; Green Genre Painting; Violetter)

Untitled Grid (Blue Queue; No Melon, No Lemon; Daredevil; Blue Double U; Grayello; Volkswagons Rust; Emblems; A Redder A; Antititian; Gray V; Felt Tip Pen; Look for (Spanish); Greyer G; Middle of a Film Noir; Green Genre Painting; Violetter)
Artist
Creation date
Materials
sign paint and gouache on papers
Dimensions
84 x 124 in. (overall)
Credit line
Gift of Ann M. and Chris Stack
Accession number
2000.157A-P
Collection
Currently On View In
Carolyn M. Schaefer & John B. Gray Jr. Gallery

A background in linguistics led Kay Rosen to explore language through her artwork.  Rosen animates words or phrases through typography and color, rearranging text to reveal surprising new meanings. For this work, Rosen created a grid of brightly colored paper which she repetitively inscribed with her written compositions in commercial sign paint. Each paper contains a hybrid of words, letters, and punctuation that calls into question the stability and standardization of language. For example, to some “buscar” brings to mind the Spanish verb meaning “to seek”, while others may break the word into the English nouns “bus” and “car.”

Rosen’s installation Never Odd Or Even (2005) is on display in the IMA’s Lichtenhauer Passageway Gallery.

Reproduction of these images, including downloading, is prohibited without written authorization from VAGA.

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