Indianapolis Museum of Art Blog

Do you love the Summer Nights film series, but just can’t stand the heat? Enjoy classic movies, but hate to watch them at home? Are you a movie lover or a casual film fan? Well, we’ve got something just for you.

This winter, the IMA will debut Winter Nights, a counterpart to the IMA’s popular Summer Nights film series. Winter Nights will feature classic films with familiar names. All films will be screened in the IMA’s Tobias Theater (aka The Toby) which will open this fall. (Which means…unlike Summer Nights, the IMA will provide the seats AND climate control.)

Below are some of the films that you will get to see this winter on The Toby’s big screen: Read the rest of this entry »

In Star Studio, we spend a lot of time explaining to visitors that the drop-in art making space is not a “kids’ area” where parents sit while their children make artwork…it is a space for all of our visitors. The idea of the space is that any visitor (even grown-ups) can stop by and make something in response to the work on display. Many people take us up on the offer (you can see the results here), but often we meet adults who seem to think of the production of art as a child’s endeavor, something that you leave behind when you get a job and a mortgage.

In the years since Star Studio opened, countless visitors have declined the invitation to make something in the drop-in studio by saying “Oh no, I’m not creative.” Huh. I’ve never had a child say that, though. Read the rest of this entry »

120 feet of words to be exact. Jack Kerouac captured the beating heart of a generation – one of wanderers, writers, and dreamers – with his iconic novel On the Road, written in one sweeping session of 20 days in the spring of 1951.

The single piece of paper (which is really tracing paper sheets taped together), ancient in its tea-like stain and torn edges, personal in its hand-written corrections, and inspiring in its fervent immediacy, is a testament to all that is, or was, “Beat” – a more free approach to self-expression, non-conformity, a bohemian lifestyle, among many other characteristics. The Beats wrote about sex, drugs, jazz – more than enough to shock our postwar nation’s elders and enough to invigorate their children. Kerouac compiled notes from journeys across America to create the closely autobiographical nature of On The Road, sometimes accompanied by anyone from Neal Cassady to Allen Ginsberg. Even though there was exceptional attention paid to Kerouac’s fortnight feat, the novel had been taking form long before the author’s almost overnight success, in between scribbling lines at Cassady’s and exploring each state he visited in great detail.

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It’s official – time flies. And I can’t stop thinking about it. Thursday night while watching my most recent guilty pleasure, Swingtown, the teacher asked the students to write a paper on the subjective nature of time. I hadn’t really thought about it like that before, but time – like art – certainly is subjective. My compulsive thinking about time started with my boss, Leann Standish, leaving the IMA last week after five amazing years at the IMA and moving onto do big things at the Minneapolis Institute of Art. I made her a scrapbook capturing moments with our team since my first day here nearly 4 years ago and this too has made me keenly aware of time. Am I the only one completely baffled that 2008 is half over?

It’s been a good year so far. I celebrated my “golden birthday” this year when I turned 28 on March 28th, which supposedly brings luck (I can’t complain.) Many of my girlfriends’ male counterparts have turned 30 this year (mine included) which means lots of parties and duh, birthday cake. Another highlight of 2008? Obviously the release of the Sex and the City movie. I have inadvertently begun asking myself questions a’ la Carrie Bradshaw. What does it all mean? When it comes to time, is it really on our side? (Gazing out my imaginary NYC apartment window with my tank top and “Amber” necklace…)

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As many people already know, I am not a card carrying member of the We Should Only Plant Natives Club. They are fine and all that but I feel no great need to adhere to such a restrictive policy. I do incorporate natives in my designs. We’ve used many natives and their cultivars in multiple areas in the gardens created after our expansion. Carex radiata can be found in the Overlook garden behind Deer Zink (along with Amelanchier), multiple cultivars of redbud are in the Garden for Everyone (along with the straight species – I guess the others would be the gay, lesbian, bi, and transgendered species?), and Echinacea is everywhere (along with Amsonia hubrictii – Arkansas bluestar).

There most certainly is a place for natives. I did a design recently for a neighborhood park and included them in it. They definitely cross my mind when I know there will be extreme cultivation issues such as sunny and dry, shady and dry, wet and anything, or most importantly, minimal maintenance after establishment. Of course if there is a non-native available that is just as tough and prettier I have no problem going with it. Pretty always wins. Remember high school? I attempt to follow the “right plant, right place” mantra ignoring the individual plant’s origin. I want plants from everywhere and damn near every plant no matter where it’s from. As Divine said in Pink Flamingos “Get it all cracker. Get it all”.

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