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The Pharmacy

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The Pharmacy prescribes the following links to combat Monday online anemia.

insanewich

insanewiches.com

Blog: insanewiches

So a few weeks ago, we introduced you to scanwiches. And because we know you’ll be spending most of this week trying to come up with creative ways to use your Thanksgiving leftovers, here’s a little more inspiration: insanewiches.com.

ArtBabble Video: Nic Hess’s Spindle Implosion

At the close of his installations, artist Nic Hess removes the used tape, wrapping it into densely packed balls. This video documents the de-installation of his Hammer Project “Automatic Crash Response” (2009).

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Filed under: Art, New Media

 

Why do you visit museums?

One of the most important parts of marketing is expressing the value of the product/service that you are endorsing. Pantene Pro V makes your hair luxurious. Gillette Mach 4 razors provide the closest shave possible. Timex watches can take a lickin’. If you want shiny hair, smooth skin, or durable watches these are the products for you.

Empty Billboard

Empty Billboard

As I’ve been writing the IMA’s 2010 marketing campaign, I’ve been trying to find ways to communicate the value of the museum experience. The IMA has a tremendous amount to offer the public: educational programs that range from films to horticulture classes, collections and exhibitions that span the scope of art history, 2 historic house museums (Lilly House and Miller House), ArtBabble and a bunch of other cool online initiatives,152 acres of gardens and grounds…The list is long, and well, that’s the blessing and the curse of marketing the IMA. It’s the breadth of offerings that makes it hard to distill the IMA experience into a sound bite or tag line for radio, tv, billboards and various other media channels. Read the rest of this entry »

Filed under: Marketing, Musings

 

Transparency and Museums (Part 4) – Transparency in Practice

Museum TransparencyIn the past few days, I’ve spoken to a number of people about how the IMA’s Dashboard effort is similar to and yet different than many of the commercially available Business Intelligence packages that are out there.  It still surprises me that after two years, people are still interested and intrigued by the process behind the tool.  I guess that’s a good sign!  The Dashboard has proven to be one of our stickier projects since we’ve launched it.

Two things in particular which set our Dashboard effort apart from other business intelligence or executive dashboard tools are the way we engage our staff in the process, and the extended integration we’ve done with core museum systems.

In the past several weeks, we’ve spent a lot of time discussing the theory and the underpinning logic of why any museum would consider moving forward with a strategy like this.  If you’re just joining the discussion you can find the previous articles here:

  1. Walking The Talk
  2. Reasons for Transparency
  3. Impact on Institutional Culture

This week we’ll take a detailed look at how the Indianapolis Museum of Art implemented these ideas in the IMA Dashboard.  We’ll examine how we structured the experience, what our goals were and what some of the results and unintended consequences turned out to be.

We’ve had some really great questions and points raised in the comment sections of the previous articles, and I’d really like to hear questions / thoughts from the peanut gallery as it were.  Don’t be shy!  I’ll do my best to respond to every thoughtful comment in turn.

Transparency in Practice: IMA’s Online Dashboard

As discussed in previous posts, one of the most important aspects for museums wishing to take steps to be more transparent about their successes and failures is a decision about the best way to share this information.  There are many ways museums might accomplish this. Ideally an organization’s information should be freely available to all interested parties with a very low barrier to access. Many museums have adopted the practice of making their annual reports and even tax returns available online for public access. It would be difficult to make the argument that these mechanisms provide “easy access” to this information since these documents are often lengthy, technical, and difficult to interpret.  The investment required by a member of the public must be high enough to overcome these barriers in order to develop an understanding of the museum’s performance.  While well intended, this method of presentation obfuscates the information which, if shared in a simpler more user-friendly model, might otherwise lead to valuable interactions and discussions with media, donors and the general public.

In the summer of 2007, the Indianapolis Museum of Art began to take steps to capitalize on an institution-wide effort and commitment to organizational Transparency. A team of web developers and graphics designers led by the Chief Information Officer set out to design a presentation of information and statistics about the museum which would enable an at-a-glance interaction as well support of deep-diving investigations into specific topics of interest. The team desired a system which was easy to digest and easy to navigate, and could support the wide array of information important to the mission of a diverse institution.  The project took inspiration from contemporary web design and interaction trends to create a site which would feel fresh, fun and visually engaging.  Feeling that many corporate dashboards were both intimidating and hard to understand, the team strove for a simplicity of presentation that could hook interested visitors into a deeper investigation and tracking of the museum’s performance over time. Finally, the institution needed an easy to use tool which could be integrated into the pre-existing workflows and job demands of many of the different staff around the museum.  The result was a tool called the IMA Dashboard, which was launched by the museum in September, 2007 and later released as open-source software for the benefit of the larger museum community.  Many museums and institutions have downloaded this software and expressed an interest in using it to fuel similar endeavors within their own organizations.

Figure 1 - The IMA Dashboard

Figure 1 - The IMA Dashboard

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Filed under: Musings, Technology

 

The Pharmacy

the-pharmacy-title

The Pharmacy prescribes the following links to combat Monday online anemia.


drop cap

Daily Drop Cap

Blog: Daily Drop Cap

he Daily Drop Cap is an ongoing project by typographer and illustrator Jessica Hische. Each day (or at least each WORK day), a new hand-crafted decorative initial cap will be posted for your enjoyment and for the beautification of blog posts everywhere.

ArtBabble SERIES: Dutch Design

Dutch Design is supposed to be defiant: a book about colour could easily end up to be in black and white. But is it Defiance, that makes Dutch Design known all over the world? Or is it something else; idealism perhaps or a tendency to be frugal with materials.

Dutch Design Series by Museum Boijmans Van Beuningen

Dutch Design Series by Museum Boijmans Van Beuningen

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Filed under: Art, Current Events, Design, New Media

 

‘Art’ of the music video

This post was written by Ben Masbaum, New Media intern.

ben

Ben Masbaum

With this being my first blog for the IMA, I implore you to scroll away if you consider yourself one of those people who doesn’t particularly hold noobies in high regard. If you’ve stuck around, allow me to share a few thoughts on music videos as an art form.

I remember sitting in my living room when I was thirteen years old: voice cracking, flannel shirt around my waist with my combat boots on the coffee table and my mother urging me to wash my hair.  I couldn’t, of course, because I was busy watching MTV, pre-Real World and before the internet we know of today.  I would stare the wild camera effects of the music videos and think to myself, “Wow!  I love this!” It seemed easy to do and I wanted to be a part of it.

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Filed under: Guest Bloggers, Musings, New Media

 

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