It’s a bit quieter around the office this week, though my inbox is no lonelier. From curatorial staff to exhibition designers, public affairs representatives and IT staff, the IMA has a mighty team of Biennale ambassadors overseas. They’re hosting VIPs, recording videos, taking photographs, installing work, and surely doing a list of other necessary tasks that I am unaware of. While it may seem like the whole Museum boarded a plane, that’s certainly not the case. Many of us (most of us, really) are here manning the fort.
So what are we up to back in the motherland? A few things really…
While our traveling cohorts organize and gather the documentation materials, a team of us are ready and on-hand to help get that content to you (and our friends in the media) as quickly as possible. Working within a system that includes a 6 hour time difference isn’t always easy, but multiple process meetings prior to the trip has made for smooth sailing (knock on wood).
Most of my job entails getting the content out to you, our online audience. From updating the website with videos, images, and information to managing our Facebook and @imamuseum Twitter account, my work is 90% online and 10% meetings about the online material. I sincerely love this job and it’s because of this job that I feel like I am in Venice along with everyone else.
Closely following all of the @la_biennale and @USPavillion11-related tweets, I am inundated with updates, sightings, and picturesque views. I could open my Hootsuite account now and virtually connect with the city of romance and its temporary visitors. Tweets from everyone in Venice and the subsequent correspondence with those from all over the world have really been fascinating.
Another part of my job (web management) means that I’m one of the luckier ones who gets to see the new IMA content the second its published to our website. I don’t think this really hit me until I was able to publish photos and videos of the US Gymnasts performing on Body in Flight (Delta) and Body in Flight (American).
Slideshow: Allora & Calzadilla, Body in Flight (Delta) and Body in Flight (American), 2011. Photos by Andrew Bordwin.
Tethered to my computer, I’ll be anxiously waiting all week for our Publishing and Media team to send over their latest creations. If you aren’t following @imamuseum or @USPavilion11 – now is the time to stay up to date on the latest. Also, be sure to “like” us on Facebook (a behind the scenes photo album coming soon) and browse our Venice Biennale microsite. There is a page for each of the six commissioned artworks, which includes videos and photos (stay tuned for some installation shots and full performance videos).
It’s because of all of these things (and the workings of a lot of people) that I can actually feel the energy radiating from the US Pavilion, 4,500 miles away. Reading tweets from the US gymnasts (@USATeamGloria), I sense their anticipation before opening performances and share in their pride for this wonderful opportunity with which we are all involved. Watching rehearsal videos I can see the hard work and collaboration needed to pull it all together, while the final installation shots show me why it’s all worth it.
As I write this, I did just finish a nice glass of cabernet so while I may not be riding a vaporetto to work or rubbing elbows with international elites, my focus and heart (along with many others still in the building) is 100% Venetian this week.
Who’s up for some gelato?