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Remaking a rug at Miller House

Today's blogger is Bradley C. Brooks, Director of Historic Resources and Assistant Curator, American Decorative Arts at the IMA.

It seems that an important reason why the Miller House and Garden has retained so much of the integrity of its original design is that the Millers greatly cherished and valued the work that Eero Saarinen, Kevin Roche, Dan Kiley, and Alexander Girard produced for them. They were patient partners in the design process and tended to seek refinements, rather than wholesale changes, as the house evolved through later years.

miller_house_carpet

Top: The den rug before replacement. Bottom: The new den rug.

The rugs in the house are a case in point. The rug presently under the dining table, for example, is the fourth generation of the original Girard design. The first was one of a group of flat-woven rugs produced in France, all of which were later replaced with looped-pile versions of the same designs. With wear and food spills, the dining room rug was the most often replaced.

At the time the museum took ownership of the property, the Miller family had begun a project to remake a number of rugs in the house. Most in need of replacement was Girard’s den rug, which had been worn quite through in a few spots. We fudged it for a while with the placement of furniture to hide the worst of the damage, but this was only at temporary fix.

As with any such project, there were concerns about achieving the appropriate weave structure,  pattern, and color accuracy. We had received some of the original design drawings as part of the Miller House Archives, and IMA conservators had painstakingly removed unfaded fibers from deep in the rug’s pile in order to make accurate color comparisons. After several rounds of adjustments and approvals, we gave a go-ahead to Edward Fields to put the rug into production.

The new den rug!

The new den rug!

In mid-April of this year, the new rug was ready to install, and it more than lived up to all our expectations. The vibrant colors were back, and the many emblems of family history and association were renewed, all rendered in a highly disciplined, multiple colorway grid of lozenges – a glimpse into the mind and design process of Alexander Girard.

Filed under: Conservation, Design, Miller House, Textile & Fashion

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