View through the orchard

Though much of landscape architecture involves the careful manipulation of spaces, the gardens at Miller House represent one of the best examples of the craft. Working closely with the home’s architect, Eero Saarinen, Kiley laid out a plan which closely reflects and reinforces the strict geometry of the residence. As with his many other commissions, Mr. Kiley used a limited palette of plants. This was not to be a garden of show-stopping color and horticultural diversity.

Rather, his use of hedges – mainly arborvitae and yew – served to create architectural “rooms”, not unlike the arrangement of rooms and ‘zoned’ spaces in the pavilion-like residence. The outdoor rooms are interconnected through corridors of trees – rows and blocks of honey locusts, oaks, horsechestnuts, redbuds, and even apples – as well as large expanses of paving, both hard and soft. These rectangular forms are further enhanced by the beds beneath, whether planted in spring bulbs or summer annuals, or simply mulched. Together, these elements and the extensive use of groundcovers provide a year-round structure, so important in shaping the spaces and giving clarity.

View through White Oaks to East lawn

While this is all so obvious when looking down upon the blueprints and plans, it also comes across marvelously in a more subtle way when one enters the property on foot. Though Saarinen wished for his clients, the Millers, to enjoy the views into the landscape through his ample windows, that view is carefully and purposefully halted at the edges of the property. This is an inward-looking site, versus something like ‘Naumkeag’ in Massachusetts or Philip Johnson’s ‘Glass House’ in Connecticut, where the view to distant mountains and hills is extremely important. Tall hedges and carefully sited rows and clumps of trees prevent vistas into neighboring yards. Instead, one’s views follow a lower plane, usually beneath the limbs of trees, along the tops of low hedges, or along an allee. It’s all about the use of space, and what a space it is. What if geometry class had been as much fun as this!

South drive

I think what we’re talking about is the poetry of space, that’s what landscape design is all about. – Dan Kiley

Ed first witnessed the site decades ago while on a work assignment in Columbus.  He was then only able to peek through the already tall arborvitae hedges guarding the property’s east side, but knew the place was indeed very special.  After all, one of the 20th century’s masters of landscape design, Dan Kiley, had worked his magic here.  For all of us in the field, this is a place for reverence.

Miller House, summer 2009 (Ed Blake and Bradley Brooks on far right)

My own first encounter with Miller House and Garden was very similar, taking place on May 1st of 2007 as part of a charrette involving Miller family members and architects, landscape architects, and preservationists from around the country.  We all assembled to discuss the many attributes of the property and who might be the best stewards of the site in the future.  Part of the weekend’s program was a visit to Miller House with an insider’s tour of both home and landscape with the Miller children.

The weather on that mid-spring day couldn’t have been nicer.  A clear blue sky was the perfect complement to the lush pink blooms of the large saucer magnolias framing each side of the house.  Though some in the group had visited before, many of us knew the site only from photographs, articles, and monographs on the designers involved.  This truly was a special treat – to witness this mid-century marvel and examine it in such detail, with members of the Miller family sharing their own experiences of growing up here.  Quite a privilege, I think, for them to call this home, and for us as well to hear about that experience directly.

Magnolias at Miller House

Over the ensuing months, the IMA continued to conduct further research on the property and its three principal designers – Eero Saarinen, Alexander Girard, and Dan Kiley – to help us better understand how this place came to be and how much influence Mr. & Mrs. Miller had on its outcome.  We were, of course, elated to be the recipient of the Miller family’s generous bequest of the property and funds for an endowment.  And by pure coincidence, the transfer of the property came on May 1st of 2009, exactly two years to the day since we first laid eyes upon it.  Those same magnolias were blooming brightly once again in honor of the event.

But this just begins our serious work on the property, bringing the home, its interiors and furnishings, and its landscape into a form approximating their earlier condition.  We have a goal of opening the estate to the public two years from now.  Research in Columbus and at repositories of archived material at sites around the country will occupy the time of Bradley, Craig Miller, and me, as well as many others as we further the process of understanding this important treasure.  We’re so grateful to be able to add Miller House and Garden as another National Historic Landmark (Oldfields being the other) to the IMA’s array of historic offerings.  I invite you to stay tuned for more details on our progress.