Transparency and Museums – Walking the Talk Part 1

Museum TransparencyOne of the things I’ve been proud of during my time here at the IMA is the museum’s commitment to institutional transparency.  It’s always just made sense to me to concentrate on doing the right thing first, and then sharing as much as possible with others. (See, Mom… I wasn’t tuning you out all those years)  If you’ve followed this blog for very long, you’ve probably heard us talk about the IMA’s Dashboard a time or two.  Well, it’s hard to believe, but the Dashboard turned two years old in October!  I thought this would be a fitting time to spend a bit of time talking about the how’s and why’s of transparency and IMA’s experiences in running the Dashboard during that time.

I had originally authored this as a paper to be published in print form, but I think it will actually work better in a blog format like this one.  I’ve really appreciated the feedback and input readers have contributed to my last few posts, and would love your thoughts on this text as well.

Perhaps the most prevalent concern shared by peers about adopting similar approaches to transparency is a latent fear of the unknown, or a feeling that sharing the gritty details with the public will be too overwhelming and therefore misconstrued.  I’m happy to say that the wheels haven’t fallen off the IMA’s apple cart yet, hopefully this series will illuminate some of the benefits we’ve seen from taking these steps.

Walking the Talk – Part 1

The concept of Transparency has received significant attention in the media and online recently.  This attention comes at a time when public doubt in corporations, government and corporate executives is at an all-time high. High profile failures of some of the nation’s largest and most trusted institutions have shaken our assumptions about what had always seemed to be untouchable industries. Museums have always jealously guarded their trusted place in the public’s perception, but is there a risk that this trust will someday be lost?  As caretakers of this trust, what is the best way to foster open communication about the challenges and opportunities that face us as we try to achieve the mission of our museums?  As comprehensive and easy access to operational information becomes the norm, how can museums embrace this as an opportunity and confront internal fears about sharing their performance metrics with the public?

A Working Definition of Transparency

To begin, we must first come to a common understanding about Transparency. Institutional Transparency is a concept that is notoriously difficult to define precisely.  Principally, Transparency can be defined as the open sharing of information regarding a museum’s operations and performance.  But questions soon arise regarding what to share, when to share, and how to share it. These issues are much more significant for museums to consider when crafting an organizational stance about Transparency.

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The Pharmacy

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The Pharmacy prescribes the following links to combat Monday online anemia.


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Blog: Vogel Appliance Blog

Flashy? No. Practical? Oh yes. If you’ve ever wondered how much dish soap you really need, this blog is for you.  This local appliance blog gives you tips and tricks that might help you save serious moolah come the winter season. And it’s coming soon.

ArtBabble Video: Jean Shin: Common Threads

Artist Jean Shin and Curator Joanna Marsh discuss the exhibition Jean Shin: Common Threads at the Smithsonian American Art Museum. Topics include: new work commissioned by the American Art Museum titled Everyday Monuments, a cityscape constructed from losing lottery tickets called Chance City, and Unraveling, an installation inspired by the complexities of the Asian American Art community.

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Interpreting Delicious

I fell in love with Willem Kalf’s painting, below, after watching the ArtBabble video In the Gallery: Mark Doty. Mark is a poet who toured the gallery and talked with staff about various works in the galleries and how we see paintings. The way he described the work was particularly appealing to me.

And you can see how, I mean, it’s painted, this bravura, I mean this coil and the light and then the incredible translucency of the peeled fruit. It’s hard to imagine now how it must have looked... Well, we are always going to be looking at and celebrating that the stuff of the world, you know.

Still Life with a Chinese Porcelain Jar by Willem Kalf

Still Life with a Chinese Porcelain Jar by Willem Kalf

Recently, this work  has caught my attention again, as I’ve had the opportunity to spend a bit of time in the galleries here at the Indianapolis Museum of Art. I love the process of “getting to know” a work of art; the way it becomes like a familiar friend, and yet somehow, each time completely delightful and new.  It has me thinking about what catches my attention in each one, and some similarities between the very disparate works that I love. The first thing to come to mind? FOOD. Read the rest of this entry »

The Pharmacy

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The Pharmacy prescribes the following links to combat Monday online anemia.

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http://www.beardrevue.com

Blog: beard revue

It’s all about the beards, people. This blog has a simple description: ‘Review, commentary & discussion for the beard enthusiast. Up the beard ratio!’

ArtBabble Video: Creation of a Tibetan Mural

Pema Rinzin paints a mural of the Buddhist Guardian Kings of the Four directions. Pema Rinzin on his personal decision to paint the Four Great Guardian Kings: “They are unique imagery in that they are solid; they are protectors; and they are closest to our human form. For example, in Tibet at the largest monasteries like Drepung, all the Guardian Kings are in the front of the monastery. I thought they would also protect us here in the United States and at the Rubin Museum.

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The Pharmacy

the-pharmacy-title

The Pharmacy prescribes the following links to combat Monday online anemia.

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Blog: LaundroMatinee

The idea for LaundroMatinee.com came from the creators of renowned local blog  My Old Kentucky Blog when they started inviting bands in to record small radio sessions at Pendleton Heights High School in the small, quiet town of Pendleton, Indiana.  The founders  shared an equally passionate love of independent music as well as an overwhelming compulsion to share it with others.  Watch exclusive stripped-down and intimate recording sessions in sometimes unusual locations.

ArtBabble Video: Thought Process: An Interview with Joshua Mosley

This teen-produced interview with Joshua Mosley focuses on the artist’s mixed-media installation, dread (2007), which consists of a short animated film and five bronze sculptures that philosophically explores the human necessity to confront and apprehend nature. Mosley’s labor-intensive practice combines computer animation, stop-motion animation, digital sound, sculpture, as well as his own music and dialogue. In the film, an animated photographic forest is the background against which two characters–modeled on French philosophers Jean Jacques Rousseau and Blaise Pascal–hold a conversation on the relationship between God-given natural order, free will, and the human and animal conditions.

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