Indianapolis Museum of Art Blog

Ray Pawulich

The following post was written by Ray Pawulich. Ray currently lives in Indianapolis. He went to film school for a couple years, so he thinks he knows what he’s talking about. Here’s part two of his series on Summer Nights here at the IMA.

Every so often, someone tells me I remind them of John Cusack. When this comes from strangers, it’s kind of flattering. But when it comes from your own mother, it can be a little disturbing.

Such was the case in the spring of 2000 when my mother called to let me know she’d seen a movie called High Fidelity and insisted I’d enjoy it too. According to her, Cusack’s character in the film, Rob Gordon, was “just like” me.

On the surface, this was not a very complimentary observation. After all, Rob Gordon is no Lloyd Dobler, the tried-and-true romantic Cusack played in Say Anything. Nor is Rob as cool as Martin Blank, Cusack’s detached-yet-vulnerable hitman from Gross Pointe Blank. Instead, he’s neurotic, jealous, self-defeating, co-dependent and completely incapable of committing to anything. (Thanks mom.)

Image courtesy of PHOTOFEST

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Ray Pawulich

The following post was written by Ray Pawulich. Ray currently lives in Indianapolis. He went to film school for a couple years, so he thinks he knows what he’s talking about. Here’s part one of his series on Summer Nights here at the IMA.

Growing up in a relatively insulated Indianapolis suburb, many of the defining experiences of my youth were lived vicariously though film characters who came of age in the 1970s. The fact that early 90s suburban kids like myself were hungry for this kind of entertainment was not lost on the filmmakers of the day; for awhile there, it seemed all you had to do to get your movie on video store shelves was to pack it with drug references and give it a retro soundtrack. And while some of these films have endearing qualities (The Stoned Age remains a personal favorite), none can match the subtlety or artistry of Richard Linklater’s Dazed and Confused.

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Another Bloggers Anonymous is happening this Friday at the IMA, and we couldn’t be more excited!

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This blog post was written by IMA Public Affairs intern Sarah Miller (pictured below). She recently earned a Master of Arts Management with a Visual Arts Concentration from Columbia College Chicago and currently works at the Museum of Contemporary Photography in Chicago, Illinois.

"Look I can too." Photo by Joe Wallace

I recently traveled to Spain where I had the pleasure of re-visiting a favorite museum, the Reina Sofia, in Madrid. I trekked to the museum district for what I believe are two must-see works—Pablo Picasso’s Guernica and Salvador Dali’s Muchacha en la Ventana. It has been my experience that even if art museum visitors don’t understand what a piece means, most can at least appreciate what great works like these mean to art history or to an artist’s career. Read the rest of this entry »

Just days before the opening of the exhibition “Kodachrome Culture: The American Tourist in Europe,” Kodak announced that it would discontinue Kodachrome film.

First Polaroid, now this?!

The slide film, known for its rich colors and clarity, has been available commercially since 1935. It now accounts for less than 1% of Kodak’s still-film sales. You’ve probably seen this famous Kodachrome portrait:

Sharbat Gula, Afghan Girl, 1984. © Steve McCurry

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