Today's guest blogger is IMA Docent, Nancy McMillan.
As a life-long resident of Indiana, I have been visiting Brown County since I was 10 years old. In spite of that, I had never heard of Onya La Tour. So, when I learned that the IMA would have an exhibition of works of art from her collection, and that she was a some-time Brown County resident, I jumped at the chance to learn more about her and her passion for collecting Modernist art.
Brown County has always had a magical allure for me. As a child, I thought nothing could be greater than living there—in a log cabin, perhaps, on acres and acres of land. My new-found friend, Onya La Tour, bought a farm—118 acres—and an old house in southeastern Brown County in 1939. She settled there—not far from the iconic Stone Head sculpture—in 1940. Intending to establish the Indiana Museum of Modern Art, way down there on Christiansburg Road, Onya moved in and attempted to create not only a museum but also an artists’ residence. She lived there about seven years before moving to a hilltop home just north of the north entrance to Brown County State Park. (The Indiana Museum of Modern Art didn’t really take off.)
From the house on the hill, she had a wonderful view of the north entrance to the Park. There, she entertained various artists and other luminaries. They climbed the hill to her house—near dusk—where they shared artistic stories and ambitions and admired the sweeping views of the valley at sunset. What a magical time they had!
Onya’s art-collecting began in the early 1930s. By that time, she had moved from her home in Washington County, Indiana; relocated to the Pacific Northwest with her then-husband, where she gave birth to her only daughter, Manya; moved on to California then Puerto Rico; and finally arrived in New York City, where she hobnobbed with the artists of the Works Progress Administration and operated art galleries of her own. How interesting, eclectic, and eccentric she was.
Her move back to Indiana was not by chance. She was looking for a place where she could bring modernist art to a population that didn’t know about it. At that time, of course, Brown County hosted an active artists’ colony. It had served as the home to some members of the Hoosier Group—wonderful representational artists like T.C. Steele. There was a rich artistic tradition there, but Onya had other ideas: why not expose Brown County and Indiana to a new artistic experience—modernism? At first, the locals were skeptical, but they came to embrace Onya, her dedication to modernist artists and her desire to bring something new to Brown County.
As an IMA docent, I am always dedicated to studying and learning as much as I can about the artists whose works the IMA exhibits; however, Onya La Tour provided me, and my fellow docents, Susanne Morreale and Ieva Straatman, an opportunity to do a “road trip”—we traveled to Brown County and located the farmhouse that Onya purchased in 1939. In person, it looked exactly the same as it does in photos from the era when Onya was there trying to establish the Indiana Museum of Modern Art. We knocked on the door of the house, hoping to encounter the current residents, but no one was home. Then we traveled north, closer to Nashville, to the hilltop where Onya moved in the late 1940s—her home known as “Spellbound.” We climbed the steep hill—in the car—and there, we found a house. But it did not at all resemble the “Spellbound” home we saw in Onya’s photos. Apparently, there had also been an art gallery on the hill that Onya called “Bluecloud,” but we found no evidence of that structure either.
Shortly thereafter, we went into Nashville, and visited both the Brown County Historical Society and the Brown County Public Library. The library was of great interest—we found a couple of conference rooms that a bequest from Onya’s estate paid for. Her name was on a plaque, announcing that she had funded the rooms. In addition, over the fireplace mantle in one of the rooms, we located a painting—signed “Alva La Toor.” Alva La Toor? Now that’s a coincidence—La Tour, La Toor? Apparently, frère La Toor decided to spell his name differently from his sister’s.
What a fun treasure hunt this has been! Onya La Tour and her art collection are quite a story.