Ask Oprah, and she’ll tell you she’d invite Jesus to her dream dinner party…(watch the clip below)
Ask us, and well, after last week, we might have to say Felder Rushing. IMA TV stopped to chat with the Southern gentleman in the Oldfields orchard while he was at the IMA for his talk as part of our Planet Indy series. Check out the latest IMA TV episode and you’ll see why we’re crazy for this offbeat gardening guru.
For the opening of the new Ancient Art of the Mediterranean gallery, I completed a couple of conservation treatments on objects that haven’t been on view in a long, long time. One of the objects is this Canosan vase which is from the 3rd or 2nd century B.C.E. Here’s a video of the IMA’s Director and CEO talking about the vessel and the new gallery he curated:
Before this more than 2,000 year old artwork came into my Objects and Variable Art conservation lab, it was safely stored in two separate boxes—one box contained the ceramic vessel, the other contained the 9 pieces that were detached from it. There’s a photograph in the historical files dating to the early part of the 20th century showing how the vase was assembled when it was acquired in 1928.
My job was to carefully re-assemble these pieces and fill the missing areas to make the joints appear more seamless. Finally, I inpainted my fills to make them less visible (if you get up really close to the case, you can see my work).
Aaron Steele, the IMA’s Digital Assets Specialist & Associate Photographer, photographed this object before and after my conservation treatment up in his photo studio. Have a look:
This may have been our most treacherous episode of IMA TV yet. But we Nuggets strive to bring you the latest news from behind the scenes at the IMA, and gosh darn-it, we’ll get out hands (and high heels) dirty to do it.
Yesterday morning, we got the call with our assignment. So after donning hard hats, we trekked down to 100 Acres lead by intrepid project manager Dave Hunt. Adrenaline coursing through our veins, we entered the construction site for Los Carpinteros’ Free Basket. Surrounded by potentially threatening loud noises and up to our metatarsals in mud, we braved the elements to bring you this nice little IMA TV episode:
Los Carpinteros has developed a large-scale site-specific installation titled Free Basket for 100 Acres: The Virgina B. Fairbanks Art & Nature Park that continues their interest in the juxtaposition of the practical and the imaginary. Free Basket draws on the form of the basketball court, turning it into an aesthetically surprising entity that also offers a site for the community to engage in recreational play.
A rendering of Free Basket
In developing their project, Los Carpinteros chose to draw on the rich history of sports in the city of Indianapolis. Their project seeks to bring together art, culture and sports, providing an interactive platform for the larger community that engages them in art. Free Basket will be Los Carpinteros’s first long-term public commission in the U.S. Click here for more info.
Joep van Lieshout, with his studio Atelier van Lieshout, will present a group of 20 benches with drawings of large bones that will together form the shape of an enormous, stylized human skeleton.
The work grows out of ideas about native heritage and cultural development, with bones iconically referring to artifacts and remains from previous occupants. The artist, who encountered visitors sitting on rocks and other natural perches on his visit to Indianapolis, wanted to create benches as sites for resting in 100 Acres.