Transparency and Museums – Walking the Talk Part 1

Museum TransparencyOne of the things I’ve been proud of during my time here at the IMA is the museum’s commitment to institutional transparency.  It’s always just made sense to me to concentrate on doing the right thing first, and then sharing as much as possible with others. (See, Mom… I wasn’t tuning you out all those years)  If you’ve followed this blog for very long, you’ve probably heard us talk about the IMA’s Dashboard a time or two.  Well, it’s hard to believe, but the Dashboard turned two years old in October!  I thought this would be a fitting time to spend a bit of time talking about the how’s and why’s of transparency and IMA’s experiences in running the Dashboard during that time.

I had originally authored this as a paper to be published in print form, but I think it will actually work better in a blog format like this one.  I’ve really appreciated the feedback and input readers have contributed to my last few posts, and would love your thoughts on this text as well.

Perhaps the most prevalent concern shared by peers about adopting similar approaches to transparency is a latent fear of the unknown, or a feeling that sharing the gritty details with the public will be too overwhelming and therefore misconstrued.  I’m happy to say that the wheels haven’t fallen off the IMA’s apple cart yet, hopefully this series will illuminate some of the benefits we’ve seen from taking these steps.

Walking the Talk – Part 1

The concept of Transparency has received significant attention in the media and online recently.  This attention comes at a time when public doubt in corporations, government and corporate executives is at an all-time high. High profile failures of some of the nation’s largest and most trusted institutions have shaken our assumptions about what had always seemed to be untouchable industries. Museums have always jealously guarded their trusted place in the public’s perception, but is there a risk that this trust will someday be lost?  As caretakers of this trust, what is the best way to foster open communication about the challenges and opportunities that face us as we try to achieve the mission of our museums?  As comprehensive and easy access to operational information becomes the norm, how can museums embrace this as an opportunity and confront internal fears about sharing their performance metrics with the public?

A Working Definition of Transparency

To begin, we must first come to a common understanding about Transparency. Institutional Transparency is a concept that is notoriously difficult to define precisely.  Principally, Transparency can be defined as the open sharing of information regarding a museum’s operations and performance.  But questions soon arise regarding what to share, when to share, and how to share it. These issues are much more significant for museums to consider when crafting an organizational stance about Transparency.

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RIP GeoCities

GeoCities, age 14, died on October 26, 2009. The cause of death is still unknown.

geocities2

Born mid-1995 in Southern California, GeoCities lived on the world wide web and worked it’s way into the lives of millions by introducing casual internet surfers to pop-ups, pop-unders, animated gifs, and broken html markup until it’s death in 2009.

Survivors include Yahoo, WebCrawler, AOL, Twitter, and countless others. GeoCities was preceded in death by Jeeves, Compuserve, Netscape (the browser), and Angelfire.

Memorial services will be held at http://web.archive.org. Burial will be at http://geocities.yahoo.com/. Relatives, friends, memes, trolls, and search bots are welcome.

There are several websites that made a splash via GeoCities. Kate confessed to having a fan page of some sort at one point in time… and I had a few pages lurking out there somewhere too, though I’m struggling to remember what they were. Without GeoCities, we wouldn’t have the Icy Hot Stuntaz. Thankfully, the content will never die. Find a nice collection of screen captures of classic GeoCities websites at Internet Archaeology.

The Pharmacy

the-pharmacy-title

The Pharmacy prescribes the following links to combat Monday online anemia.

beard

http://www.beardrevue.com

Blog: beard revue

It’s all about the beards, people. This blog has a simple description: ‘Review, commentary & discussion for the beard enthusiast. Up the beard ratio!’

ArtBabble Video: Creation of a Tibetan Mural

Pema Rinzin paints a mural of the Buddhist Guardian Kings of the Four directions. Pema Rinzin on his personal decision to paint the Four Great Guardian Kings: “They are unique imagery in that they are solid; they are protectors; and they are closest to our human form. For example, in Tibet at the largest monasteries like Drepung, all the Guardian Kings are in the front of the monastery. I thought they would also protect us here in the United States and at the Rubin Museum.

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Three is a Magic Number

If you happen to be at the Indianapolis Museum of Art later today, say 5pm, you’ll have a chance of discovering Bloggers Anonymous.  It’s our third event of BA, and something pretty different from what we typically do regarding technology.  We’re actually meeting people face-to-face.  At the IMA, we kind of dig technology and spend a lot of time developing digital projects, like this blog, ArtBabble, TAP and a million other things.  We really love our work, but I guess there would be one draw back to what we do.

Hey, you get to hang out with me.

Hey, you get to hang out with me.

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Light Emitting Diodes

There are countless intriguing stories at the IMA, sometimes untold. Here is one of them.

LED fountain

Look like a rerun of X-Files? It’s not. If you’ve been around the Museum after dark recently, you may have spotted the new LED light installation in The Sutphin Fountain. Jeff Earl, head electrician at the IMA, replaced all the original white halogen lights, many submerged underwater, with the new technology.  Read the rest of this entry »

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