What a year. I can’t believe it is almost over. We have covered a lot of ground at the IMA. There are now 21 partners on ArtBabble! The IMA has been rolling out a new brand and I’m so excited to share that with you in 2010 with the launch of our new website.  Stay tuned for updates on that soon! We created an iTouch application in-house for Sacred Spain. The 100 Acres Art & Nature Park is getting closer every day to being ready for the 2010 opening (see The Launch of Eden II). We revealed the Indianapolis Museum of Art is adding a scientific research and analytical laboratory to its existing paintings, paper, objects and textiles conservation laboratories. For all of those reason’s I’m pretty excited to get started in 2010. But before I forget, seems like this would be a good time to reminisce over my favorite/worst things of the year.

• Favorite Web Design Moment – @font-face. Move over sIFR and Cufon… typography on the web is about to get totally awesome.
• Favorite App – Tweetdeck. This app alone makes Adobe Air worth the download. I think this was my favorite app last year, but each release makes this thing better and better so i’m still saying this is the best. Now would be a good time for me to plug TAP too.
• Favorite YouTube Video – DEADLINE post-it stop motion
• Favorite Flickr Photo – Tap into it
• Favorite Community Activism Moment – Indy Culture Matters rally. Check out photos of this proud moment for arts & culture  in Indianapolis.
• Favorite ArtBabble Video – Type A, In the Factory
• Favorite News Story – This is pretty easy. Balloon Boy takes this one by a mile. I was in the office when this went live on cnn.com and we watched in horror as that poor boy crash landed to the ground… wait, there was no boy. Doh! The father who concocted this shenanigan made John Gosselin look like a saint. Coming in at a close second, Larry King’s tongue twister.
• Favorite Reality TV Star – Russell H. Though he got robbed in the final vote, this guy was the best thing to ever happen to Survivor, period.
• Most Influential Person of ’09 – This guy. You have to watch the the whole thing… amazing.
• Worst Fashion Trend – Ed Hardy.
• Favorite Meme – Keyboard Cat.
• Favorite Quote – “Who gon check me boo?” – Sheree
• Favorite Band – Chin Chin. If you don’t know, now you know.
• Best Beard – Kevin from Top Chef.
• Worst Re-branding – AOL
• Best Re-branding – IMA (duh!) Seriously though…
• Best Font/Type Story – Ikea Changes Its Font

Hopefully this list will help you get through the light work week. See you next year!

Art is quite pervasive at GenCon, from the richly illustrated manuals of role playing games like Dungeons and Dragons to the decorated cards of collectable card games such as Magic: The Gathering. Even the war games that sprawl over multiple tables feature sculpted miniatures, some of which are painted in painstaking detail by the players. And of course, we can’t leave out the creative fashions put together by live action role players (also known as LARPers) and cosplayers. For those interested, the costume contest is on Saturday, though you will undoubtedly see people in costume downtown throughout the event.

There is even an art gallery at GenCon that features paintings and sketches mainly in the genre of fantasy, many of quite high quality (at least compared to my skill) and most available for purchase. And speaking of purchasing, one of the best reasons to visit GenCon is to check out the dealer hall, where hundreds of shops sell dice, games, t-shirts, videos, comics, costume garb… pretty much anything a game enthusiast might desire. Video game companies even have a presence that has been expanding annually.

All of this is fascinating of course, but board games are the reason that I go to GenCon. Board games have been a part of human culture for thousands of years. Those available today comprise a spectrum from games based on simple rules that bear out complex competitive strategy like the games of Go or Chess to games like Arkham Horror, where the complex rules define interesting game mechanics that pit players in a collaborative challenge against the game itself.

As with other types of games, there are a number of aspects of a board game where design is important. The physical materials that make up a game can be elegantly simple, like stones on a wooden board, or made up of intricately carved wooden pieces placed on a board printed with gorgeous artwork. The concept of a game can be based on history, on novels or movies, or be completely original or abstract. Then there is the most important aspect of a game… the mechanics.

A game’s mechanics can be defined by simple or complex rules, and their design can simulate real-world experiences such as trading, resource management, and evolving systems, or fictional elements such as magic and time travel. The best games, in my opinion, have balanced mechanics that allow for a variety of strategies.  And lately I’ve become more interested in well-designed cooperative games.

Hopefully I can find a great new game to add to my collection this year.

From all of us here at IMA blog head quarters, we wish you a safe and happy new year!

As a gift of sorts and to make our vows public, we’d also like to treat you to some of our resolutions. Enjoy!

Daniel resolves…To be nice. Eat Twizzlers. Play soccer. Be brilliant. To follow some advice from Ghandi: Be the change that you want to see in the world. And in the words of LL Cool J: Don’t call it a comeback, I been here for years.

Charlie resolves…For this techie to learn the difference between modern and postmodern art.

Anne resolves…To bring more film artists to the IMA and to The Toby…Wim Wenders, anyone?

Gary resolves…To get the gambling monkey off my back.  I give it 20-1 odds.

Matt resolves…To ween myself off of fast food, join a gym, and to always remember to check things in Internet Explorer before sending out a link!

Amber resolves…To live in the now! No more worrying about the future and what it holds – just live day by day and enjoy it. Also, I need to drink less soda and take my vitamins. Baby steps…

Irvin resolves (with obligatory preface)…I’m a bad, bad horticulturist so first of all – take better care of the plants I’m overwintering. Sow more seed (but no wild oats). Photograph the gardens as they develop this year.

Phil resolves… To impress Anne Laker then together continue taking over greening the world.

And if you too want to make your resolution public, leave a comment!

Until the ’09, peace.

Okay, what kind of blogger or marketer would I be if I actually did that? Recently, I’ve been pondering the possibilities so-to-speak. After reading Richard’s insightful post on the use of Twitter in museum conservation and then spotting Nick Brien’s article, Strategic Thinking 3.0, in ADWEEK, my fingers have been set on the keys with no clear song in mind. I’m overwhelmed by possibility. Sometimes it is comforting to have boundaries to narrow and contain one’s scope of thought. But in the coming years, I am not sure we will have that luxury because of technology.

Picking from Brien’s general media forecast for 2009, I would like to apply several of his predictions to the arts and the IMA in particular:

1. Digital media enables easier marketing access. Have you heard of Web 2.0? These tools are booming in the arts sector. With limited budgets and expertise, groups like dance companies and symphonies are using blogs and other tools to market to wider audiences with a direct focus. See the San Francisco Ballet Blog. How about providing digital perks for members? As I mentioned above, the range of tools is just going to become more expansive. At the IMA, I think our challenge will be to use these tools wisely. And with our crack team of Web programmers, designers and Nugget Factory, maybe we will push the limits with a few of our own.

2. Marketing means selling. Performance is always important but not always measurable. At the IMA, you have ads in the Star, on the radio and on billboards, while at the same time you’re sending out evites, traditionally mailed invitations, Facebook notifications and blog posts…you don’t even remember where you first heard about the event. While we try to capture this type of data as well as attendance on the IMA’s Dashboard, it’s worth faithfully tracking and rejecting the tools that don’t produce desired results.

3. Collaboration drives integration. This has been happening at the IMA for as long as I’ve worked there (more than a year). When Marketing, Development, New Media, Education, Curators, MIS, Horticulture and many others come together, it’s hard to tell who belongs to who. Diverse personalities and backgrounds allow for anyone to bring an idea to the table that may become the next golden nugget. Cross-departmental collaboration is key.

4. Data drives decision-making. Amen. I think this repeats #2 in making time for evaluation and being bold enough to let the data drive change rather than trying to do it all.

5. New players bring new perspectives. Both international and local competition in the arts and Museum world will awaken us to new thought and possible collaboration. Read our blogroll to check out what everyone else is up to. The IMA’s Professional Development team (which is cross-departmental by the way) is planning a staff exchange program with other institutions for just this purpose.

6. Social networks enable better listening. We’re working on this one. Through polls, comments, rating options, calls for user-generated content and social media applications on Facebook, the IMA is hoping you’ll talk to us. We truly desire a conversation and “raw” feedback on the material we are providing. Having this conversation can be difficult for an organization without a single representative or without time devoted to personal response.

7. Mobility matters. I predict we’ll see increasing opportunities for on-site interactivity inside and outside (think 100 Acres) the IMA galleries. The Newseum in Washington, D.C., does a nice job of creating popular and educational user-experiences in exhibitions with mobile devices.

So those are my current thoughts, which are not very well thought out because I’m busy trying to keep up with it all in real time. To speak to the IMA’s collection, you could say I’m just a girl at the piano recording sound.