“Has anyone seen our intern?” This blog series follows the IMA’s Public Affairs Intern, Jennifer Anderson, as she escapes the office space for a little R&R in the galleries…
#6. IMA's Six Degrees of Separation
LACMA did it, everyone on Facebook is doing it, and now the IMA is turning it up a notch with blog “tagging”. Here it is…what you all have been waiting for…25 Random Things about the IMA. Read the rest of this entry »
The IMA loves art. And now comes Wikipedia Loves Art, a month long contest, scavenger hunt, photo-marathon focused on art. Like most of the good online museum ideas, its being driven by the Brooklyn Museum and features (15) museums in total. It puts the Indianapolis Museum of Art in the company of the Metropolitan Museum of Art, Los Angeles County Museum of Art, Victoria and Albert Museum and the Honolulu Academy of Arts , to name a few.
First things first, let me start by highlighting one of the The Nugget Factory’s latest productions – Welcome to the IMA. This is piece we produced in part for the 125th Gala, this past weekend, to appear in the new Indianapolis Airport and for other multi-purpose uses. Please enjoy.
And speaking of the 125th Gala, we uploaded images from this incredible event to our Flickr account. Have fun.
As you know all of the works in the To Live Forever show are from the Brooklyn Museum. What you may not know is that there was a lot of conservation work that went into putting together this exhibition. So, to find out more about what the BM conservators (and others) did to prepare these objects to travel to the IMA, I asked the three IMA objects conservation summer interns (Kendra Dacey, Andrea Mason, and Courtney Von Stein) to help me come up with some questions for Tina March, BM assistant conservator of objects. I really enjoyed reading Tina’s personal responses and think they help explain how museum exhibitions require a collaborative effort.
BM conservator Lisa Bruno and registrar Deana Setzke were here for nearly 2 weeks to oversee the installation all of the artworks into the exhibition cases. As a way to remember all of the hard work that went into the installation of this show, IMA registration department staffer Jesse Speight made a card that I think wonderfully demonstrates all of the things that went into putting this show up.
The Later Canon, 2008, 8 7/8” x 11-3/4″, RoseArt Washable Markers, BiC ‘Wite-Out’ Correction Pen, Pencil,
Sharpie Permanent Marker (black) on File Folder
We started to work on the first object, Coffin of the Lady of the House Weretwahset (37.47a-b), in the Fall of 2006, and were finishing up treatment on the very last object a week before it all left the building! While we have been working on these objects for a little over a year and a half, we have been working on many other projects as well. This includes exhibitions at the Brooklyn Museum as well as preparing BM objects for loans to other museums.
One place I know I don’t want to go is Antarctica. This is not to say that I think Antarctica is dull or something like that (I like the idea of auroras, bright stars, and a frozen, treeless tundra), it’s just that it’s cold in a kind of deathly way. But recently I’ve been hooked on reading about a team of dedicated art conservators working at Scott Base. Their Antarctic Conservation Blog is hosted by the British Natural History Museum.