Indianapolis City Ballet – Warming Up

dancerFrom age four to 18, I lived ballet, pointe and jazz. I found beauty and satisfaction in the culture — the movement, symmetry, expression, discipline, and music. I longed for new leotards and dreaded new pointe shoes and the subsequent weeks of breaking them in.

Where did this love story begin? A swim teacher danced and suggested that I try classes for the coordination, recognition of rhythm and self-confidence it instilled. It was also one of the few activities available during the fall and winter months in a small town. I should mention that I was obsessed with Angelina Ballerina books. I met two of best friends in Creative Dance and find it impossible to forget my lilac butterfly costume from the first recital. From there, it was a whirlwind of performances from The Wizard of Oz to The Nutcracker until I was old enough to become a member of the Wabash Valley Dance Theater Company.

When I spotted an announcement about a new professional ballet company possibly starting in Indy, I broke into a set of grand battement (that’s large kicks for you non-dancers).

Indianapolis City Ballet seeks to unite and strengthen the ballet, dance, and arts community. Founded with a philosophy that more dance is good for everyone — be it professional, amateur or scholastic, contemporary, classical, jazz, ballroom or tap — Indianapolis City Ballet offers links to dance-related resources.

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Adaptation Artists Talk

The Forefront exhibition Adaptation: Video Installations by Ben-Ner, Herrera, Sullivan and Sussman & The Rufus Corporation is being celebrated tomorrow night at the IMA with a talk with video artist Eve Sussman followed by a reception. Sussman is a leading figure in contemporary video art and has transformed the medium with her use of lavish production values and stylized methods of filming. If you are an emerging filmmaker, contemporary video art lover, or just curious, bring your questions. Tickets are free!

Guy Ben-Ner is another artist featured in the exhibition Adaptation. IMA Curatorial Associate of Contemporary Art Allison Unruh and I had the pleasure of asking Ben-Ner about his work earlier this year:

Guy Ben-Ner. Photo by Walter Smith.

Interview with video artist Guy Ben-Ner
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Our Gift to You

A Look Back at Works of Art Newly Displayed at the IMA in 2008

If you visited the IMA’s permanent galleries more than once this year, it is likely you did not see the same works of art. Each month the IMA rotates different works of art in an effort to display the breadth of the Museum’s collection. The scheduled rotation is determined through a collaboration between curators and conservators. Curators decide which works are displayed and their display time frame, while the conservators regulate the exposure time of certain sensitive artworks. Below are just a handful of the hundreds of works newly displayed in the IMA’s galleries in 2008:

For a look at all the works that went on view in 2008, visit the IMA’s Dashboard.

In celebration of the IMA’s 125th anniversary, the Museum also sought to acquire 125 new gifts to add to its collection this year. Stay tuned for a complete recap of this project.

The Tent & Seven Spades

"The Tent" by Donald Lipski

Indianapolis has a newly installed resident along the banks of the White River. Donald Lipski’s new installation “The Tent” is a nice surprise for those who frequent the White River State Park’s plaza. The installation is playfully reminiscent of the Indianapolis Speedway’s checkered flag. The silver structure is unobtrusive against city skyline from the pedestrian bridge leading to the zoo.

The work is a gift from the 500 Festival, a not-for-profit volunteer organization created to organize civic events celebrating the greatest race in the world, as part of the 50th Anniversary Legacy Art Project. Read the rest of this entry »

The Whole Thing

The IMA Blog team welcomes New York-based artist Orly Genger as a guest blogger.  We asked her to share some thoughts on her IMA exhibition, Whole.

I’m obsessed with making something that matters. I’m obsessed with working. And I believe that it is only through hard work that good work is made.

One of the most important things to me has always been to keep my hands moving, to keep making things. I worry about what I make and what it means after I make it.  I also used to think that talking about art, especially your own art, ruins it. That’s partly why I dropped out of art school. But I’ve softened on that in recent years, which is maybe a result of having gone to art school. I do talk here and there about my work and hope it won’t ruin anything, but instead reveal a bit about the way I’m thinking, at least in the moment.

Overhead shot of "Whole"

Overhead shot of "Whole"

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