Interview with Oguri

What’s your mission, or hope, as an artist?
Dance. Basically I feel inspired to dance. I began dancing with Body Weather and Tatsumi Hijikata’s  work, but it was not to learn a kind of tradition or to be a ‘dancer’. I was attracted by the spirit and community. Body Weather does not teach one how to move but is an investigation of the body through working with and learning from others and explores the connection of body to space. A lot of people connect Butoh with the atomic bomb and Hiroshima, and I want to make it clear that that is a misunderstanding. Of course that is a very strong human experience and everything is related, but Butoh is not a direct expression for that. Rather the dance is a possibility for human understanding. Butoh is revolutionary, but it just means ‘dance’. Dance doesn’t have a goal. I work between my body and myself.

How did Caddy! Caddy! Caddy! come to be?
Because of my interest in William Faulkner.

How does Caddy! relate to the Japanese performing arts tradition?
I found Faulkner through Japanese literature. Oe and Nakagami  were inspired by him, and if they are like my fathers, I wanted to meet my grandfather. When Faulkner visited Japan in the mid-1950s after World War II, he said I am like you. I come from the south–the losers country. There is physicality in Oe and Nakagami’s work, and for me that is dance.  I find the same thing in Faulkner’s work.

What influence has Butoh had on you as a performing artist?
Butoh is respect of Tatsumi Hijikata’s dance. In Japan, there was folkdance, ballet, and modern dance. There was a society where performers presented seven-minute pieces for a classy, sophisticated audience. Hijikata comes along half naked and shines the light in the audience’s eyes. He brought the idea of homosexuality and sex and eroticism on stage. He killed a chicken on stage, and the little girls fainted and he was kicked out. After he was expelled, people sought him out because he seemed so cool, and at the time, many people had the same antiestablishment sense. He did a lot of collaborations and events, but it was very avant-garde, very strong cutting edge work.

This year’s Spirit & Place theme is “Inspiring Places.” Does Caddy! take its sense of place from Faulkner’s writing?
William Faulkner lived his entire life in one small county town. From there he created hundreds of characters and lives full of memories and imagination. He invented a fictional place, Yoknapawtawpha, that the reader feels and travels through. In the dance we carry the spirit of the stories.

Can you describe what it’s like to perform this piece?
I have the opportunity to be in Faulkner’s imagination, to dance his stories in space and explore many different characters and the strength and depth of humanity.

What do you ask of the audience who attends this performance?
If you have a chance, please read Faulkner.

Caddy! Caddy! Caddy! The William Faulkner Dance Project is Saturday, November 7 at 7 pm in The Toby. Tickets are $10 for the public and $7 for IMA members. Purchase tickets online

BONUS: Show any Toby ticket stub and receive half off the ticket price for Caddy!

Back at the derby: spray-painted, crumpled automotive beasts tumble against one another.  The air is filled with terrific absurdity.  These vehicular masochists have planned these clashes.  They have intended it, and yet not intended it – very much like an artist’s relationship to the work of art s/he creates.

I learned three things at the demo derby:

• Embrace the ugly
• Push through anything crippling
• Take things that are hard by nature and try to soften them

Some of these concepts underlie the abstract form of movement called Butoh, made with slow-mo gestures, prolonged facial expressions and the baring of the unconscious.  The dancer Oguri returns to the IMA November 7 with another Butoh-inspired performance, this one an interpretation of the literary experiments of American author William Faulkner (The Sound and the Fury, Absalom, Absalom!).  Fear no art: what appears incomprehensible and senseless at first actually might actually reflect the order of the universe.

More on the November 7 event as it nears.  Until then, keep smashing, clashing, and seeking truth.

It’s also generally out of view to some degree and less likely to be disturbed by staff and visitors. The bees are not aggressive but if you mess with them they are defenders of their territory. The honey is so sweet but the stinger is so sharp.

Tuesday Chad did the first inspection of the hive. This requires a wee bit of prep. You don’t go in with street clothes, at least not the first time. Here’s Chad all suited up for the inspection. Notice the smoker at his feet. The smoke calms the bees somehow. Maybe that explains why so many humans are addicted to cigarettes.

First Chad removed the sugar water that has been a supplemental food source to the bees as they get established.

Smoking the hive.

Removing the outer cover.

Removing the inner cover. Without the inner cover the bees would try to fill all the space between the box and the outer cover with honeycomb. It also provides some ventilation for the hive.

Chad gingerly removing a frame filled with honey comb, bee larvae, honey, and BEES.

I can almost taste the honey. Ooooo, a taste of honey!

Here Chad is carefully inspecting a frame. He’s looking to see if the Queen is laying eggs (YES), checking for any signs of disease, and in general making sure all is well in the hive.

Still looking it over closely here.

Where’s the honey? I want the honey! Honey. Honey.

Just as Chad needs to be careful removing the frames, he must be just as careful returning them. It’s easy to crush a bee if you rush and that goes against the idea of building the colony.

Here’s a shot of a frame filled with hard working bees. Can you spot the Queen? Be nice.

I still want a taste of honey. (video 3)

As he ended the inspection Chad got a little suspicious of some activity in his pant’s leg. It was a false alarm fortunately.

Now I know some of you might think all this dance music is strictly for my enjoyment. Oh but you are so wrong. Bees dance as well. It is essential for their very survival in fact. They do ”the waggle dance”. Don’t believe me?

Honey bees have been suffering from several problems in recent years. Colonies can up and disappear almost overnight. Sometimes an entire hive dies. It’s called Colony Collapse Disorder. I won’t go into detail but you can find info at many sites including Purdue University’s The Bee Hive and the USDA. Being one that always tries to find some humor or happy in any situation I was glad to find Help the Honeybees, a website created by Haagen-Dazs (ice cream!). I love their videos of “bees” dancing. It’s a fun way of sending a serious message.

If you are interested in going to Bee School like Chad did checkout the Indiana State Beekeepers Association. Lastly, let me dedicate this song to all the bees in our hive and all the worker bees in our division dedicated to making a good home for our colony.