The current Star Studio exhibition, More than Four Legs: A Closer Look at Chairs asks visitors to think carefully about and look closely at chairs. Of course, since this is a Star Studio exhibition, visitors are also encouraged to translate these thoughts and observations into practice by creating a model chair to display or take home. I thought it might be fun to share images of a few of the chairs that visitors have left in Star Studio.
Early next year, the exhibition Preserving a Legacy: Wishard Hospital Murals opens at the IMA. It tells the story of a group of renowned Hoosier artists who painted murals for the benefit of patients at Wishard Memorial Hospital in 1914. The IMA conservation department has been working to bring these murals back to their original condition since 2004. They have completed the conservation of works by such Indiana artists as T. C. Steele, Clifton Wheeler, J. Ottis Adams and Wayman Adams.
This exhibition details the journey of conservation and hints at the power of art to heal. I’ve always been intrigued by the idea of art therapy. While the halls and galleries of a Museum are my temple of healing, I would like to experience art’s power to heal in other settings such as classrooms, hospitals or shelters.
I recently had a conversation with two dear friends–one of whom is an art therapist/art teacher at a school for emotionally troubled kids in Virginia and the other of whom has experienced the healing of power of art at a local Indiana treatment center called Selah House. Their insights are shared below:
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If I ever end up on death row and get to choose my last meal, I will choose a meal a lot like one I had last month in a barn in McCordsville, IN. The soup, in particular, is hard to forget: chilled, neon-red late season Indiana tomatoes, swimming with a drop of pale fromage blanc, distilled into a shot glass, and served with a cracker, thin as a Catholic communion wafer. And that was just the second course.
The goats had stepped aside and the rain blustered outside. Eighty diners piled into the hay-filled dining hall for a five-course extravaganza presented by Slow Food Indy. Slow Food in an international movement working to reconnect people with the pleasures of real food, sustainably produced. Money raised from the dinner was used to send several local chefs and cooking students to Terra Madre, the global gastronomic gathering in Turin, Italy.
The IMA Blog team welcomes new author, Linda Duke, Director of Education.
When I was very young, I had a special sense about written numbers. It’s hard for me to access that now, through all the years of education devoted to making sure I understood numbers in a standard way. But I still have a feeling about that early relationship, and sometimes I wonder how it might have developed if I hadn’t learned to be ashamed of it and to ignore it.
Here’s what I can recall: I knew the shapes of the numerals as indicators of the distinct characters of each. Though my sense for some of them has slipped out of reach, in the way dreams do, I can still feel the stronger personalities. The numeral five was intimidating in appearance, but in actuality quite sweet. Seven was both stern and judgmental. Eight had complexity and depth – and eight led to a painful collision with my first grade teacher, Miss Logan. She taught us to write eight with one continuous figure-eight line. Soon after, she exhorted us never to write it as one circle on top of the other – an idea that had, frankly, not occurred to me.
Aside from the "zigazig ah" that everyone wants, I want IMA to be, “genre-defying.” Films, bands, authors, artists: they can all be genre-defying. So why can’t we?
In many ways museums have been required to wear many hats for a while now. They have found themselves in precarious places, needing to get a piece of that proverbial cash pie, necessitating competition with movies, sporting events, zoos and other, much flashier leisure time attractions. Read the rest of this entry »
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