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Trapped in the White Cube

Ahh, finally, my first blog post.  This post actually started weeks ago.  I’ve been patiently awaiting the return of some questions I had sent out in relation to my Flickr galleries “Trapped In The White Cube.”  The galleries are a series of images that have been captured by various photographers visiting museums around the world.  Sometimes the galleries appear to be captured in solitude, other times they are alive with a visual cacophony.

As one of the two photographers here at the IMA, I am responsible for capturing the IMA galleries in a similar fashion.  At times I capture galleries alive with its patrons.  At other times I document for posterity the space free of human distraction.  I, as those participating in my questionnaire, enjoy seeing the galleries in various degrees of these states – the sole visitor reflecting on a work of art, the mass of humanity flowing between its walls, the gallery alone asking us to reflect on the images presented, or the gallery free of any artwork or person and completely desolate.

Below are a few of those images and the responses from the photographers.  If you are interested in the photographs presented, please follow the gallery series on Flickr.

 Witold Riedel:
Witold Riedel is a creative director at one of the largest advertising networks in the world. He is responsible for a worldwide campaign, which “involves a good amount of travel.”

This image was included in the “Trapped In The White Cube” series. An excerpt from Witold’s responses to the questionnaire is below:

(via Flickr)

 What made you capture and share the image you created?

Are we talking about the picture of the nun and the dinosaur? Oh, it was just a very sweet moment at the Museum Mensch und Natur in Nymphenburg, in Munich. I had missed my flight to Moscow on that day and after visiting the BMW Welt, Nymphenburg felt like the perfect contrast. The room was very small, I had to be close to the nun to take the picture. I only had one chance to expose the photograph without disturbing the composition. I was lucky. I had set the exposure and aperture and the focus on my Leica correctly. I like that there are some parallels in the expression of the dinosaur and the nun. The picture is certainly not intended as cultural criticism. I have nothing against dinosaurs or the Catholic Church.

What type of museum objects do you enjoy the most?

I like to return to some not very loved paintings, just to discover that I have changed more than they have. And I also like to see that they are still there, in their own place. Or maybe in a new place.

I  used to stand next to the Mona Lisa at the Louvre sometimes and just look at the people coming to visit. I actually have two photo series about this on my old website. It was interesting how many visitors were not actually interested in the work, they were more interested in having a picture taken with the work. It really is about that connection sometimes. The Mona Lisa is now in a different place within the Louvre. It is now easier to take pictures with her. But it is much more difficult to see her. That might be one of the reasons why I prefer the not so loved paintings sometimes. Though they obviously must be incredibly special already, just to make it to the galleries. What percentage of the work never makes it out of storage? Some museums have created galleries that feel almost like open storage. I like that idea quite a bit.

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Filed under: Around the Web, Art, Photography

 

Why You Should Know Hanneorla

Hanneorla has to be among the most prolific amateur art photographers of the 21st century.  With more than 40,000 Flickr images that have been sorted into 517 distinct sets—each from a different location around the world, and mostly of art, architecture, and museums – Hanneorla’s photostream is one of the most important sources for art images in the 21st century, and why so many were excited about the potentials of  “Web 2.0.”

I first became aware of Hanneorla around 2007 when I was looking for Flickr users that were photographing artworks on the grounds of the IMA.  The set made for the IMA has 61 images in it and most of the contemporary outdoor artworks are documented. Although the sheer number of photos is impressive, what also interested me is the way the photos were taken: many of the works are shown from multiple sides, demonstrating that Hanneorla is skilled at looking carefully at art.

It was also around this time when Clay Shirky was getting a lot of attention for talking about how the Internet was ideally suited for us to spend our cognitive surplus doing something productive, rather than just watching television in the evening (Shirky estimates today this cognitive surplus is around a trillion hours a year for the adult population in the developed world).  Trying to harness but a sliver of a thumbnail of this surplus, we created the Wikipedia-and-Flickr-based project Wikiproject Public Art. While this continues to slowly grow, I’m always on the lookout for museum-based projects that tap into the cognitive surplus in a meaningful way.

So, to get to know the most productive art photographer in world better, I invited Hanneorla here for a discussion.

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Filed under: Around the Web, Art, Photography, Travel

 

Detail-Oriented

Richard B. Gruelle, The Canal-Morning Effect, 1894 (detail).

So far, I’ve tried to be engaging. My blog posts were all a stab at that and I think I’ve done well. Largely, I’ve written on how you don’t need a degree to enjoy art. However, one can’t deny that knowing background information surrounding a piece does enhance its story. When you don’t know anything about the work or the artist the only context you have is the nail it’s hanging on. Personally, I feel this should be enough and museums spend countless hours developing ways to make “you are in a museum” the only context one needs – but it is nice to know more. So. I’ve posted a handful of images from our permanent collection on the IMA’s Flickr account. I cropped the images into detail shots and gave a little background information. One of the best things about my internship is that I get to learn a lot “fun facts” about our works, so I shared a few. My goal was to provide context, be engaged and (as always) have a little fun with art.

Filed under: Around the Web, Art, The Collection

 

Through Your Lens

As promised, here are a few of our favorites images from this week, posted by you in our Flickr group (click each photo to enlarge):

We’ve liked checking out your photos, and would love to keep this group up and running (though hopefully not with any more photos of ice storms…), so please!  Keep ‘em coming!

Filed under: Around the Web, Local, Photography

 

Microscopic & Digital Art: What has your iPhone or iPad captured?

I know it’s only Monday, but maybe you’re already in need of a drink? How about one that looks great, is long lasting, and won’t result in a series of unfortunate drunk dials?

Florida State University research scientist, Michael Davidson, combined alcohol and microphotography to come up with the imagery you see below – a microscopic print of chablis.

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Filed under: Art, New Media, Technology

 

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