2010 has been a lively year for the textile and fashion arts department. The exhibition, Fashion in Bloom closed the end of January with a great lecture by associate curator of Costume and Textiles at the Philadelphia Museum of Art, Kristina Haugland, titled, Revealing Garments: A Brief History of Women’s Undergarments. Soon after, we began preparing the Paul Textile and Fashion Arts galleries for the current exhibition, Body Unbound: Contemporary Couture from the IMA’s Collection which closes January 30, 2011, so go see it soon!

The Fashion Arts Society was founded in 2010 as well, with great response. The organization hosted their first fundraiser for the department, an after-party for the IMA fashion show Project IMA: Fashion Unbound titled Behind the Seams. The event went off without a hitch, and enjoyed by all who attended. FAS membership is growing steadily and the FAS calendar for 2011 will not disappoint.

In November the exhibition, Read My Pins, the Madeleine Albright Collection opened at the IMA with great success. The installation is beautiful and the catalogue accompanying the exhibition is a delight.
Dr. Albright visited the museum in early November, for a book signing and lecture, which was one of the most enjoyable experiences I’ve had to date. Dr. Albright is as witty as she is smart and I think I am not alone in saying that everyone left the Toby that evening smiling.

This year the department also acquired about 45 new acquisitions, two of which is a dress (1972) by Halston (now on view on the IMA’s 3rd floor just outside the entrance for the Fashion Arts Gallery) and a complete Rudi Gernreich Japanese schoolboy ensemble (1967).

ensemble; ‘Japanese schoolboy’, 1967 by Rudi Gernreich (2010.205a-f) Caroline Marmon Fesler Fund

Read the rest of this entry »

Filed under: Art

Oooo la la…The Textile and Fashion Arts galleries got a face-lift

The Paul textile and fashion arts galleries opened with a bang in 2006 with a spectacular exhibition, I Do, The Marriage of Fashion and Art curated by Niloo Paydar. (Here’s a little secret: this is one of the first exhibitions I worked on when interning at the IMA in 2003)

Installation view, I Do, The Marriage of Fashion and Art, fashion arts gallery, 2006

Installation view, I Do, The Marriage of Fashion and Art, textile arts gallery, 2006

The exhibition utilized both the Paul textile arts and fashion arts galleries with the door open to adjoin the spaces. The placement of the doorway is specific, acting as a bridge for the two galleries to accommodate larger comprehensive exhibitions, such as the case with, I Do. When the door is closed, however, either the exhibitions are varied or the galleries are dark, allowing the museum to utilize the space as an area for the IMA to prepare for upcoming exhibits.

Installation view, All Dressed Up; Recent Additions, textile arts gallery, 2007

Always keeping our environmental footprint in mind, we reused the risers built specifically for the inaugural exhibition, (I Do) for the next five, yep that’s right, five exhibitions. Over the course of four years, our exhibition designers toyed with the placement of supplemental risers, wall colors and graphics in order to update each space according to the unique exhibitions housed.

In the case of Dior; The King of Couture, the gallery structure remained the same, but the dramatic use of color and wall graphics helped transform the space.

Installation view, Dior; The King of Couture, fashion arts gallery, 2007

In the case of Simply Halston, we created an alternate environment by exhibiting pieces flat on the wall as well as placing close to 30 pieces in the gallery. We lightheartedly refer to this format as the cocktail party scheme vs. the debutante ball, al la Dior.

Installation views, Simply Halston, fashion arts gallery, 2008

Read the rest of this entry »

Filed under: Art, Design, Exhibitions

Get up on the dance floor and boogie til you just can’t boogie no more. No designer symbolizes the 70’s like Halston. Disco dresses, halter tops, beads, and sequins. Lots of Halston red. Niloo Imami-Paydar (IMA Curator of Textile and Fashion Arts) has put together quite a show of pieces from the early 70’s to the early 80’s for Simply Halston. Now this ain’t gonna be no high-brow fashion critique. I was asked for my opinion, and sister, that’s what yer gonna get. These days my idea of fashion is matching my favorite chicken with my favorite vintage shantung silk jacket. (Thanks to Brad Bell for the feathers and silk shot.)

But Halston, well he had a bit more going on. Bear in mind that like many of us he was a product of the Midwest – born in Iowa and raised in Evansville, Indiana. That’s in southern Indiana for those of you who think the state ends in Bloomington or Brown County. If you remember from my bio I was born and raised in southern Indiana so I have a certain extra amount of pride when one of our own does well in the big world. Read the rest of this entry »

Filed under: Exhibitions