So a few weeks ago, we introduced you to scanwiches. And because we know you’ll be spending most of this week trying to come up with creative ways to use your Thanksgiving leftovers, here’s a little more inspiration: insanewiches.com.
At the close of his installations, artist Nic Hess removes the used tape, wrapping it into densely packed balls. This video documents the de-installation of his Hammer Project “Automatic Crash Response” (2009).
Pronounced “cot”- “key”…I’m still not entirely sure how to describe this blog. I remember looking at it the first time and being, well, underwhelmed by the overly simple design. But as one scrolls down the pages, one is confronted with nugget after nugget of outrageously interesting info. It’s about the content, people. One of the many descriptions on the About page reads: “An attempt to track and make sense of “material that connects the insights of science and culture, rather than using one to dismantle the other” (as Steven Johnson puts it).” I describe it as: clever, clever, clever.
For the Hammer’s Lobby Wall, Swiss artist Nic Hess presents Automatic Crash Response, a mixture of images in tape ranging from tombstone- like monuments of several recently failed banks, animals, how-to exercise diagrams, a generic shopping cart, the USPS logo and more to weave a lyrical quasi-narrative left for the viewer to decode. Nic Hess discusses Automatic Crash Response, as well as his other works.
