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Egyptomania and a Salute to the Machine Age

Howard Carter’s 1922 discovery of the gold-laden tomb of King Tutankhamen not only uncovered the most intact Egyptian tomb ever discovered, it triggered the attention of the world’s press, and a feverish world-wide Egyptomania soon followed.

The IMA acquired numerous Egyptian artifacts in 1928, including this bronze sculpture:

The Goddess Neith, 664BCE - 332BCE; Emma Harter Sweetser Fund; 28.224.

In addition to archeological successes, America’s revitalization and construction boom of the 1920’s was nationwide and Indianapolis was no exception. The economy had mostly recovered after WWI and hadn’t yet fallen into depression. A time of industry, it was a decade of heavy construction in Indianapolis. On Monument Circle alone, the Columbia Club, Guaranty Building, Test Building and Circle Tower still stand today as a tribute to the roaring twenties.

As industry grew, so did the height of the built environment. Skyscrapers were born during this era (the Empire State Building was begun in 1929).  At the time, Indiana’s tallest skyscraper was Merchants National Bank topping out at seventeen stories, and remained the tallest building in Indiana until 1962.  As competition for height soared, so did the demands of decoration.

Art Deco was the most popular decorative art style of the 1920’s, originating in Paris. It is a hybrid art form, combining quotations from empirical civilizations (Egypt) and a hunger for the innovation of the machine industry.  It mainly features linear symmetry and geometric shapes in its design.  Natural and circular forms are limited, or simplified during this time period. Notice the geometric designs of this ancient headdress compared with this purse created in the 1920’s:

Mummy Mask, 332-30 B.C.; Emma Harter Sweetser Fund; 28.243.

Purse, early 1900s. Gift of Stella and Fred Krieger; 2009.312.

Art Deco and traditional Egyptian figural art both feature flat two-dimensional characteristics, as can be seen on Circle Tower. The building is also a nod to Aztec influence – note the stair-stepped design below.

Circle Tower is one of many existing Art Deco building in Indianapolis.  It particularly features intricately designed bronze ornamentation of Egyptian workers. Bronze was similarly popular in the ancient world, as it was a symbol of man’s achievement. (Bronze is an alloy that must be combined through human effort and is not found in nature). The Tower’s main structure is Indiana limestone.

Circle Tower is fourteen stories with a two story tower. It was the first building on the circle to feature “set back” construction in order to comply with the controversial 1905 height restriction ordinance. This ordinance stated that no building could be higher than 86 feet, so as to obstruct the Soldiers and Sailor’s Monument from sight.  So the main part of Circle Tower is 86 feet, but the additional tower is set back, in order to achieve height and carefully comply with the rules.

These bronze elements on Circle Tower show Egyptian iconography through representing figures at work.  Also, on the elevator doors in the interior lobby are similar figures, except they are portrayed as helping pull the elevator ropes and cranks to move the elevator from floor to floor.

So next time you stop at Starbucks on Monument Circle, (a current occupant of Circle Tower) make sure you check out the many unique details of the building (and some not covered in this blog) and next time you are at the IMA , be sure to catch the  Egyptian artifacts on the third floor!

Filed under: Local, The Collection

 

Happy National Philanthropy Day!

Today is the 25th Anniversary of National Philanthropy Day®, the day that nonprofits across the country celebrate the countless daily contributions that individuals and organizations make to our causes.

The IMA quite literally would not be here without the support of our donors and friends. The Art Association of Indianapolis, which would later become the Indianapolis Museum of Art, was formed in 1883 as a membership club that intended to educate the public about art. Membership dues actually started it all!

Generous individuals have shaped the Museum in many ways. John Herron’s estate gift in 1895 provided the means for the Art Association to build our first art school and gallery. Other families have given us the Oldfields estate and the Miller House, so that visitors have a chance to step back in time (be it to the Jazz Age or the modern 1950s!). Donor names are on our gallery walls, not because they ever picked up a paintbrush or sculpted in clay, but because they chose to share the art that they collected with the entire community. When the IMA needed to expand in 2005, our loyal patrons stepped up to provide the funds for a total of 143,000 square feet of exhibition space.

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Filed under: Local, Musings

 

Setting the Record Straight: The Truth about 100 Acres

Patty Schneider joined the IMA Horticulture staff 2 ½ years ago, fresh out of the University of Wisconsin. This is Patty’s first post for the IMA blog! Patty’s passion for horticulture and the well-being of our environment is hard for her to hide and it’s a pleasure to work alongside her as we labor together in the gardens of the IMA.  We look forward to future thoughts from her as the IMA continues to strive for proper environmental stewardship.- Gwyn Rager

In 1972, when the IMA received the piece of land now known as 100 Acres, the area had already been affected by human use and abuse. Original disruption occurred when the site was used for farmland, until at least the 1940s. In the 1960s, the land was a staging area for highway equipment used for the  construction of the 38th street bridge, which spans the White River. The lovely, tranquil lake that so inspires viewers and artists alike began as a gravel quarry for highway construction, that later filled with flood water from the river.

1937 aerial photo of land in agricultural use

Late 1960s aerial photo of land post 38th St. construction

1971 photo of museum prior to construction digging

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Filed under: Art and Nature Park, Horticulture

 

Front Page Appeal

A quick glance at the front page of your local morning newspaper may stir powerful emotions of curiosity, pride, joy, anger, sadness or any other sentiment depending on the day. Just as art purposefully conjures emotion and seeks to grab our attention, so do newspaper headlines and front page layout. It is, in an immediate sense art. Often this type of newsprint is passed down from generation to generation much like an exceptional work of art. With better technology, newspapers are able to use advanced layout and design, creating a front page that not only has visual appeal but also sells.

On November 5, the day after the 44th Presidential election, newspaper subscribers opened their front doors to a newly printed piece of history. Pedestrians gazed at historic headlines in newspaper boxes, ranging from President-elect Barak Obama’s campaign slogans to civil rights themes, to a single name. The Newseum features 724 front pages from 66 countries in their online feature “Today’s Front Pages” Wednesday, November 5. If you were curious to know Oprah’s favorite…the Chicago Sun-Times front page with the headline “Mr. President”. Read the rest of this entry »

Filed under: Art, Current Events, Design

 

On Writing a Book

Ernest Hemingway once said that there are two kinds of writers—those who want to write and those who want to have written. Most would-be writers fall into the latter category—they want what they suppose to be the glory of holding a newly finished manuscript or hot-off-the-presses book. And they assume there’s nothing to it, as if writing a book is akin to painting a wall. They’re the ones who, when they find out I’m a writer, start talking about the book they’ve been meaning to write, as soon as they get some free time. Like it’s something anyone can do while on vacation.

Believe me, writing a book is no day at the beach. From the moment you move from the what- a-good-idea-for-a-book stage to the put-your-butt-in-chair-and-crank-out-the-pages stage, creating a book is much more about grinding it out than it is about experiencing the joy of creativity. When it comes to writing a book, inspiration is highly overrated—usually by those who haven’t written one. A book is a chore. Read the rest of this entry »

Filed under: Local, Musings

 

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