It’s difficult to acquire a work of art for the IMA that is being offered for sale in an auction, because any addition to the museum’s collection has to be reviewed by a committee and the Board of Directors whose meetings may not coincide with the scheduled auction. When Loch Long by Robert Duncanson came up for auction in 1997, I knew this would make a wonderful addition to the IMA African American collection. But I had to find a way to bid on the painting but not purchase the work without prior approval from the committee and the Board. Before I could even consider proceeding, the director’s approval was required. This was not difficult, because building the African American collection was a museum priority and Duncanson was a very important artist and the only African American artist associated with the Hudson River School of landscape painters. No museum collection of African American art would be complete without one of his landscapes.
Archives by Subject:
- Art
(164)
- Art and Nature Park
(13)
- Conservation
(34)
- Current Events
(127)
- Design
(51)
- Education
(23)
- Exhibitions
(59)
- Film
(15)
- Guest Bloggers
(21)
- Horticulture
(52)
- Interviews
(10)
- Local
(61)
- Marketing
(79)
- Musings
(108)
- New Media
(153)
- Polls
(8)
- Protection Services
(8)
- Public Programs
(18)
- Technology
(105)
- The Toby
(13)
- Travel
(24)
- Uncategorized
(9)
Recent Posts
- ‘Art’ of the music video
- Thinking about Thinking in Rome: part four
- Creating Culture
- Transparency and Museums (Part 3) – Institutional Culture
- The Pharmacy
- It’s All Wrong But It’s All Right
- Thinking about Thinking in Rome: part three
- Experience Is Everything
- Transparency and Museums (Part 2) – Reasons for Transparency
- The Pharmacy
- “Goodnight Garden” (sincere apologies to Margaret Wise Brown)
- Dancing with Choreographer Oguri








