There are countless intriguing stories at the IMA, sometimes untold. Here is one of them.
Look like a rerun of X-Files? It’s not. If you’ve been around the Museum after dark recently, you may have spotted the new LED light installation in The Sutphin Fountain. Jeff Earl, head electrician at the IMA, replaced all the original white halogen lights, many submerged underwater, with the new technology. Read the rest of this entry »
As an art conservator here at the IMA, I’m always interested to hear what people have to say about their experiences with art. But having Tyler Green over at MAN say that he’s bummed he didn’t get to climb on our Orly Genger installation, well, that really piqued my interest. Of course, you know, Tyler, Len is named after the famous body builder, Len Sell, and I think our “Len” would be able to fend for himself if you came climbing around here. I agree with Tyler though that this installation is different in many ways from her previous installations that were meant to be more directly interacted with.
In addition to Tyler’s post, Ms. Genger’s installation was also discussed in Interior Design and Ana Finel Honigman interviewed Ms. Genger over at Saatchi Online. Don’t forget Ms. Genger herself wrote a post for this blog back in December.
Almost the whole installation
The IMA Blog team welcomes New York-based artist Orly Genger as a guest blogger. We asked her to share some thoughts on her IMA exhibition, Whole.
I’m obsessed with making something that matters. I’m obsessed with working. And I believe that it is only through hard work that good work is made.
One of the most important things to me has always been to keep my hands moving, to keep making things. I worry about what I make and what it means after I make it. I also used to think that talking about art, especially your own art, ruins it. That’s partly why I dropped out of art school. But I’ve softened on that in recent years, which is maybe a result of having gone to art school. I do talk here and there about my work and hope it won’t ruin anything, but instead reveal a bit about the way I’m thinking, at least in the moment.
Overhead shot of "Whole"
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