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	<title>Indianapolis Museum of Art Blog &#187; Japanese</title>
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	<link>http://www.imamuseum.org/blog</link>
	<description>The IMA blog is a space to discuss everything related to the Indianapolis Museum of Art.</description>
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		<title>Dancing with Choreographer Oguri</title>
		<link>http://www.imamuseum.org/blog/2009/11/05/dancing-with-choreographer-oguri/</link>
		<comments>http://www.imamuseum.org/blog/2009/11/05/dancing-with-choreographer-oguri/#comments</comments>
		<pubDate>Thu, 05 Nov 2009 12:43:02 +0000</pubDate>
		<dc:creator>Noelle Pulliam</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[The Toby]]></category>
		<category><![CDATA[Body Weather Laboratory]]></category>
		<category><![CDATA[Butoh]]></category>
		<category><![CDATA[Caddy! Caddy! Caddy!]]></category>
		<category><![CDATA[dance]]></category>
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		<category><![CDATA[Japanese]]></category>
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		<category><![CDATA[Oguri]]></category>
		<category><![CDATA[performing arts]]></category>
		<category><![CDATA[Spirit and Place]]></category>
		<category><![CDATA[Tatsumi Hijikata]]></category>
		<category><![CDATA[The Sound and The Fury]]></category>
		<category><![CDATA[William Faulkner]]></category>

		<guid isPermaLink="false">http://www.imamuseum.org/blog/?p=8917</guid>
		<description><![CDATA[This Saturday, November 7, choreographer Oguri and the L.A.-based dance company Body Weather Laboratory bring Caddy! Caddy! Caddy! to The Toby. Named for a character in William Faulkner’s novel The Sound and The Fury, the performance features slow movements drawn from the modern Japanese art of Butoh. In the interview below, Oguri puts his work [...]]]></description>
			<content:encoded><![CDATA[<p>This Saturday, November 7, choreographer Oguri and the L.A.-based dance company Body Weather Laboratory bring <a href="http://www.imamuseum.org/calendar/caddycaddycaddy" target="_blank"><em>Caddy! Caddy! Caddy!</em></a> to The Toby. Named for a character in William Faulkner’s novel <em>The Sound and The Fury</em>, the performance features slow movements drawn from the modern Japanese art of <a href="http://en.wikipedia.org/wiki/Butoh" target="_blank">Butoh</a>. In the interview below, Oguri puts his work in context.</p>
<p><img class="size-full wp-image-9358 alignnone" title="Oguri in Caddy! Caddy! Caddy! Photograph by M.A. Katcher" src="http://www.imamuseum.org/blog/wp-content/uploads/2009/11/caddy3_oguri3_makatcher.jpg" alt="caddy3_oguri3_makatcher" width="509" height="256" /></p>
<p><span id="more-8917"></span><em>Interview with Oguri</em></p>
<p><span style="color: #333333;"><span style="text-decoration: underline;"><strong>What&#8217;s your mission, or hope, as an artist?</strong></span></span><br />
Dance. Basically I feel inspired to dance. I began dancing with <a href="http://www.lightningshadow.com/" target="_blank">Body Weather</a> and Tatsumi Hijikata’s  work, but it was not to learn a kind of tradition or to be a ‘dancer’. I was attracted by the spirit and community. Body Weather does not teach one how to move but is an investigation of the body through working with and learning from others and explores the connection of body to space. A lot of people connect Butoh with the atomic bomb and Hiroshima, and I want to make it clear that that is a misunderstanding. Of course that is a very strong human experience and everything is related, but Butoh is not a direct expression for that. Rather the dance is a possibility for human understanding. Butoh is revolutionary, but it just means ‘dance’. Dance doesn’t have a goal. I work between my body and myself.</p>
<p><span style="color: #333333;"><span style="text-decoration: underline;"><strong>How did <em>Caddy! Caddy! Caddy! </em>come to be?</strong></span></span><br />
Because of my interest in <a href="http://en.wikipedia.org/wiki/William_Faulkner" target="_blank">William Faulkner</a>.</p>
<p><span style="color: #333333;"><span style="text-decoration: underline;"><strong>How does <em>Caddy!</em> relate to the Japanese performing arts tradition?</strong></span></span><br />
I found Faulkner through Japanese literature. Oe and Nakagami  were inspired by him, and if they are like my fathers, I wanted to meet my grandfather. When Faulkner visited Japan in the mid-1950s after World War II, he said I am like you. I come from the south–the losers country. There is physicality in Oe and Nakagami&#8217;s work, and for me that is dance.  I find the same thing in Faulkner’s work.</p>
<p><img class="alignnone size-full wp-image-8945" title="Oguri in Caddy! Caddy! Caddy! Photograph by M.A. Katcher" src="http://www.imamuseum.org/blog/wp-content/uploads/2009/10/slice1.jpg" alt="Oguri in Caddy! Caddy! Caddy! Photograph by M.A. Katcher" width="509" height="211" /></p>
<p><span style="text-decoration: underline;"><strong>What influence has Butoh had on you as a performing artist?</strong></span><br />
Butoh is respect of <a href="http://en.wikipedia.org/wiki/Tatsumi_Hijikata" target="_blank">Tatsumi Hijikata</a>’s dance. In Japan, there was folkdance, ballet, and modern dance. There was a society where performers presented seven-minute pieces for a classy, sophisticated audience. Hijikata comes along half naked and shines the light in the audience’s eyes. He brought the idea of homosexuality and sex and eroticism on stage. He killed a chicken on stage, and the little girls fainted and he was kicked out. After he was expelled, people sought him out because he seemed so cool, and at the time, many people had the same antiestablishment sense. He did a lot of collaborations and events, but it was very avant-garde, very strong cutting edge work.</p>
<p><span style="text-decoration: underline;"><strong>This year&#8217;s <a href="http://www.spiritandplace.org/" target="_blank">Spirit &amp; Place</a> theme is &#8220;Inspiring Places.&#8221; Does <em>Caddy!</em> take its sense of place from Faulkner&#8217;s writing?</strong></span><br />
William Faulkner lived his entire life in one small county town. From there he created hundreds of characters and lives full of memories and imagination. He invented a fictional place, <a href="http://en.wikipedia.org/wiki/Yoknapatawpha_County" target="_blank">Yoknapawtawpha</a>, that the reader feels and travels through. In the dance we carry the spirit of the stories.</p>
<p><span style="text-decoration: underline;"><strong>Can you describe what it&#8217;s like to perform this piece?</strong></span><br />
I have the opportunity to be in Faulkner’s imagination, to dance his stories in space and explore many different characters and the strength and depth of humanity.</p>
<p><strong><span style="text-decoration: underline;">What do you ask of the audience who attends this performance?</span></strong><br />
If you have a chance, please read Faulkner.</p>
<p><span style="color: #999999;"><span style="color: #808080;">Caddy! Caddy! Caddy! The William Faulkner Dance Project is Saturday, November 7 at 7 pm in The Toby. Tickets are $10 for the public and $7 for IMA members.</span> <em><a href="https://tickets.imamuseum.org/loader.asp?target=show.asp?shCode=428" target="_blank">Purchase tickets online</a></em></span></p>
<p><span style="color: #808080;"><em><span style="text-decoration: underline;">BONUS</span>: Show any Toby ticket stub and receive half off the ticket price for Caddy!</em></span></p>
<p><span style="color: #999999;"><em><img class="alignnone size-full wp-image-9369" title="Caddy! Caddy! Caddy! Photograph by M.A. Katcher" src="http://www.imamuseum.org/blog/wp-content/uploads/2009/11/caddygirl.jpg" alt="caddygirl" width="509" height="211" /><br />
</em></span></p>


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		<title>Embrace the Ugly</title>
		<link>http://www.imamuseum.org/blog/2009/08/19/embrace-the-ugly/</link>
		<comments>http://www.imamuseum.org/blog/2009/08/19/embrace-the-ugly/#comments</comments>
		<pubDate>Wed, 19 Aug 2009 12:55:50 +0000</pubDate>
		<dc:creator>Anne Laker</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Local]]></category>
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		<category><![CDATA[abstract form]]></category>
		<category><![CDATA[Anne Laker]]></category>
		<category><![CDATA[art blog]]></category>
		<category><![CDATA[Butoh]]></category>
		<category><![CDATA[Caddy! Caddy! Caddy!]]></category>
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		<category><![CDATA[Demolition Derby]]></category>
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		<category><![CDATA[Marion County Fair]]></category>
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		<category><![CDATA[Summer Solstice]]></category>
		<category><![CDATA[William Faulkner]]></category>

		<guid isPermaLink="false">http://www.imamuseum.org/blog/?p=7415</guid>
		<description><![CDATA[When is destruction gorgeous and true?  At the Marion County Fair Demolition Derby.  On a trip there earlier this month, I was awed by the performative aspects of the event.  You could say the derby was as spectacular as anything we’ve presented at the IMA, except perhaps the stunning 2008 Summer Solstice event featuring a [...]]]></description>
			<content:encoded><![CDATA[<p>When is destruction gorgeous and true?  At the Marion County Fair <a href="http://wrzx.zipscene.com/events/view/145657" target="_blank">Demolition Derby</a>.  On a trip there earlier this month, I was awed by the performative aspects of the event.  You could say the derby was as spectacular as anything we’ve presented at the IMA, except perhaps the stunning 2008 Summer Solstice event featuring a Japanese <a href="http://en.wikipedia.org/wiki/Butoh" target="_blank">Butoh</a> dancer named Oguri who moved into the fountain on the Lilly House allee and emerged, steaming, in the rays of a powerful searchlight at the moment the sun dropped below the horizon.</p>
<p style="text-align: center;"><img class="size-full wp-image-7423 aligncenter" title="Marion County Fair Demolition Derby" src="http://www.imamuseum.org/blog/wp-content/uploads/2009/08/IMG_0329.JPG" alt="IMG_0329" width="463" height="346" /></p>
<p><span id="more-7415"></span>Back at the derby: spray-painted, crumpled automotive beasts tumble against one another.  The air is filled with terrific absurdity.  These vehicular masochists have planned these clashes.  They have intended it, and yet not intended it – very much like an artist’s relationship to the work of art s/he creates.</p>
<p>I learned three things at the demo derby:</p>
<ul>
<li>Embrace the ugly</li>
<li>Push through anything crippling</li>
<li>Take things that are hard by nature and try to soften them</li>
</ul>
<p>Some of these concepts underlie the abstract form of movement called Butoh, made with slow-mo gestures, prolonged facial expressions and the baring of the unconscious.  The dancer Oguri returns to the IMA <a href="http://www.imamuseum.org/calendar/caddycaddycaddy" target="_blank">November 7</a> with another Butoh-inspired performance, this one an interpretation of the literary experiments of American author William Faulkner (<em>The Sound and the Fury, Absalom</em><em>, Absalom!</em>).  Fear no art: what appears incomprehensible and senseless at first actually might actually reflect the order of the universe.</p>
<p>More on the November 7 event as it nears.  Until then, keep smashing, clashing, and seeking truth.</p>


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		<title>How&#8230;To Live Forever?</title>
		<link>http://www.imamuseum.org/blog/2008/07/10/howto-live-forever/</link>
		<comments>http://www.imamuseum.org/blog/2008/07/10/howto-live-forever/#comments</comments>
		<pubDate>Thu, 10 Jul 2008 11:17:39 +0000</pubDate>
		<dc:creator>Noelle Pulliam</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
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		<guid isPermaLink="false">http://www.imamuseum.org/blog/?p=545</guid>
		<description><![CDATA[A recent article on Cosmos online proclaimed that &#8220;developments in a number of scientific disciplines suggest that we may soon be able to increase life expectancies from the 70-to 80-year range already seen in the richest countries to well over 100 and, perhaps, to over 1,000. We shall, in one sense, have made ourselves immortal.&#8221;
Good [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><a href="http://www.amazon.co.uk/How-Live-Forever-Die-Trying/dp/1416522832/ref=sr_1_4?ie=UTF8&amp;s=books&amp;qid=1203150154&amp;sr=8-4"><img class="alignleft alignnone size-medium wp-image-555" style="float: left; margin-right: 10px;" title="how-to-live-forever1" src="http://www.imamuseum.org/blog/wp-content/uploads/2008/07/how-to-live-forever1.jpg" alt="" width="137" height="207" /></a>A recent article on <a href="http://www.cosmosmagazine.com/features/online/2029/becoming-immortal?page=0%2C0" target="_blank"><em>Cosmos</em> online</a> proclaimed that &#8220;developments in a number of scientific disciplines suggest that we may soon be able to increase life expectancies from the 70-to 80-year range already seen in the richest countries to well over 100 and, perhaps, to over 1,000. We shall, in one sense, have made ourselves immortal.&#8221;</p>
<p>Good news, right? Until the day when scientific advancements make living forever possible, everyday blogger-types like myself can pursue other life-extending options gleaned from those who do it best.<span id="more-545"></span></p>
<p>The Danish people seem to have figured something out. Ranked (once again) as the &#8220;happiest people in the world&#8221; in a recent international survey, one would expect the Danes to also have a longer life expectancy. Some suspect it&#8217;s low expectations that keep them content, while others say it&#8217;s the city&#8217;s way of life, with <a href="http://www.npr.org/blogs/bryantpark/2008/07/those_happy_happy_danes.html" target="_blank">nearly one-third of Danes biking to work</a> and another one-third taking public transit. Others suggest it&#8217;s the laid-back, carefree lifestyle they lead with free healthcare and top-notch education systems. I am not sure how Americans can avoid worry, but Hoosiers can certainly benefit from a better public transit system. The sooner it is on track, the sooner we&#8217;ll be whistling our way to work.</p>
<p>Next up, <a href="http://news.bbc.co.uk/2/hi/health/778385.stm" target="_blank">Japan boasts the healthiest population</a> in the world, with a woman&#8217;s life expectancy averaging 86 years. A diet rich in fish, rice and seaweed helps keep heart disease and cancer under control, while government-sponsored fitness programs help the Japanese stay trim. My advice &#8212; spin class and sushi for dinner tonight. I hear the <a href="http://www.nintendo.com/wiifit/launch/?ref=http://www.google.com/search?q=Wii+Fit&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=org.mozilla:en-US:official&amp;client=firefox-a">Wii Fit</a> is also to die for.</p>
<p>Leading the world in smarts, the <a href="http://www.timesonline.co.uk/tol/life_and_style/education/article400147.ece" target="_blank">Finnish students</a> come out on top. They attribute a good education system to student-teacher relationships, pupils&#8217; enthusiasm to learn and an environment conducive to learning mathematics, with strict rules minus the high anxiety. Determining the smartest population is impossible because there is no standardized global exam. Staying mentally fit has been a proven factor in reducing the onset of disease. So it&#8217;s back to reading <em>Middlemarch</em> and playing <a href="http://en.wikipedia.org/wiki/Settlers_of_Catan" target="_blank">Settlers of Catan</a> next Friday for me.</p>
<p>To state the obvious, I think we can agree that happiness, health and intelligence all contribute to longevity. So my plug for an instant fix &#8212; RSVP for tomorrow&#8217;s exhibition preview and party for <a href="http://www.imamuseum.org/exhibitions/toliveforever/" target="_blank"><em>To Live Forever: Egyptian Treasures from the Brooklyn Museum</em></a> at the IMA. Bring a friend, have a drink and learn a little about the ancient Egyptians&#8217; quest to live forever.</p>
<ul>
<li><a href="http://www.imamuseum.org/exhibitions/toliveforever/" target="_blank"><strong>Get your tickets here</strong></a>
<p style="text-align: center;"><a href="http://www.imamuseum.org/exhibitions/toliveforever/"><img class="alignnone size-medium wp-image-556 aligncenter" style="vertical-align: bottom; margin-top: 10px; margin-bottom: 10px;" title="large-outer-sarcophagus-of-the-royal-prince" src="http://www.imamuseum.org/blog/wp-content/uploads/2008/07/large-outer-sarcophagus-of-the-royal-prince-300x150.jpg" alt="" width="220" height="110" /></a></p>
</li>
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