If I want to become part of the IMA’s blogging team (and I do), I’m supposed to write something about myself and the best anecdote or experience I had at the museum.

What is best? Best for you to read or best for me to have? I don’t know. It’s all been good. So I’ll just give you my top five experiences and let you decide what’s best. Let’s save the boring bio stuff for the end. I’ll try not to make it too boring, yet totally true. Have you noticed how easily people brag/exaggerate in their online bios? Everybody is a guru of something. Not me. But we’ll talk about that later.

My top five IMA experiences

#1. My husband and I were standing in the lobby of the IMA at a kickoff party for a big opening. A woman came up to me and said I looked exactly like Annette Bening. I have to admit, that was a few years ago and she may have had a few drinks when she said it. But still. There’s not a menopausal woman anywhere who wouldn’t savor that compliment. Call me shallow. I don’t remember the exhibit opening but I do remember being compared to one of my favorite movie stars.

#2. I took a drawing class at the IMA once and learned that I don’t have an artistic bone in my body. No latent talent just waiting to be developed. The instructor’s approach was simple: draw the shapes of a canvas in the gallery and fill in the space with the basic proportions of the objects within–not the details, just the proportions. “Oh, please!” I thought. “Anyone can do that.” Wrong. But, hey, at least I can remove learning to draw from my bucket list and get on to other more realistic things like growing my own vegetables.

#3. Sometimes I take a book to the IMA and read in the comfy leather chairs scattered throughout the galleries. I don’t even look at the art. I know. That’s what libraries are for. Here’s the problem. I work in a library two days a week. Trust me. You don’t want to read or study at a public library unless they have washable leather or vinyl seating. I’ll let you figure that one out for yourself. Check out your books and read them at home or at the IMA. People are usually quiet when looking at great art. And you can sit down without worrying about well, as I said, I’ll let you figure that one out.

#4. The IMA is a great place to go after a disagreement with your spouse or significant other. One summer day, after my husband said or did something I found atrociously thoughtless, I jumped in the car and headed to the museum for a walk. After nearly 30 minutes of stomping around the grounds in a rage, I started to notice that everything was in full bloom. I found myself in front of Robert Indiana’s LOVE sculpture. It reminded me that my petty little fight didn’t amount to much in the scheme of things. I remembered that my marriage (sort of like that LOVE sculpture) was permanent. It was a what-would-Jackie-do moment for me. I got in my car, headed home and made lunch for my husband.

#5. I’m a big fan of the one-hour IMA visit. Let’s face it. For the average Jane (that’s me) who doesn’t know much about art, the prospect of slogging your way through a complete exhibit, reading every line is like asking a first grader to read Moby Dick. Whether they can read it or not, they most certainly won’t be able to connect all the dots. Not enough experience. I don’t pretend to be something I’m not. But I don’t deprive myself just because I’m a little ignorant. If there’s an interesting exhibit, I go for an hour. I pick out one piece that really appeals to me. I try to learn all I can about that piece while I’m there. Then I leave. If I have time, I try to learn more afterwards. I may decide to go again for another hour. This is the only way I know to have an experience that sticks. I probably miss some important stuff with this technique, but I look forward to going back because I know I’m not going to make myself bored and tired. Good art deserves our best attention. I believe in giving it all I’ve got, an hour at a time. But that’s just me. Everyone should do it their way.

Now for the boring, but totally true bio stuff I promised. Once upon a time, I was a corporate writer paid to write things for big business. It’s the only kind of writing I ever found where you can make enough money to support yourself. After doing that for about 11 years, I started to connect with what one of my colleagues said about our work: “I’m really tired of writing pink champagne and having some attorney rewrite it until it becomes like distilled water.” I’m not saying I’m a pink champagne kind of writer. But I did have a few moments of greatness along the way, especially while I was working for a company I truly believed in.

Gradually I worked up my courage to swap that life for one that now includes all my loves–books, kids, writing, yoga and more time for golf and family. (I know that last part sounds trite, but it’s true.) In 2004, I finished a master’s in library science, which allowed me to enter the library profession at a wage that keeps me above the poverty level. I knew it wouldn’t pay as well, but I get to do and say what I want. It’s hard to put a price on that. When I’m not working part-time at the library, teaching yoga, or helping my husband in a small, family-owned business, I write a blog, Leading Reads. It’s mostly devoted to inspiring books, ideas, and people plus an occasional golf or yoga story.

Why vote for me? I write well, enjoy art enough that I visited Italy for an art and architecture tour a few years ago, and live just a few miles from the IMA. I can be there in a heartbeat. I don’t know enough to be snooty about things, so I can promise you I won’t have a highbrow complex if you give me this pleasure of blogging. A crown was promised with this position, but it’s not necessary. If someone would occasionally tell me I look like Annette Bening that would be nice.

The snow came down this weekend, and the grounds of the museum made perfect conditions for doing such a panoramic.   So I grabbed my tripod and headed out to the grounds to finally work on my shot.  I wanted to do something slightly different, so instead of using a single 360 degree shot, I took 2 and put one inside the other.  And this is the tutorial on how I did that so that you can make your own panoramic as well.

Step 1.  Take a series of shots for your panoramic

Grab your trusty tripod and find a good spot.  Pan across the scene taking a shot every 15 degrees or so.   Make sure your photos will merge together well on the left and right sides.  And you also want to pick something with a neutral top and bottom portion of the scene.  This will make cleaning up areas later on much easier.

Step 2. Stitch your photos together

In Photoshop goto “File” > “Automate” > “Photomerge”.  This will present you with a dialog to select all of the individual photos that you want to make up your panoramic image.  The defaults should work just fine for what we want.

Step 3. Merge and Cleanup

Each image will be an individual layer in your newly merged shot.  Hit Ctrl + E (windows) or Apple + E to merge your layers into 1 single layer.  This will make working with your image more manageable.

You will most likely have some blank space in the corners and around the edges of your photo.  Select the Rectangle Marquee tool, right click on your image and select “Free Transform”.  Now right click again and select “Warp”  Use this tool to pull out the corners and fill the entire canvas with the image.

Step 4. Stretch and invert

In order to polarize your panoramic, your image needs to be a perfect square.  Goto “Image” > “Imagesize”.  Uncheck “Constrain Proportions” and set the “Height” to the same value as your width.  You should end up with something like this:

Step 5: Invert

If you are only using a single image and not merging 2 images, you would always complete this step.  In my case I am only going to invert the number sculpture as I want to put one image inside of the other.

Click on “Image” > “Image Rotation” > “Flip Canvas Vertical”  and you will get:

Step 6: Polarize

Yup, this is where you start to see your panoramic take shape.  Click on “Filter” > “Distort” > “Polar Coordinates” and make sure you select “Rectangular to Polar”.  Now your images will look like this:

Step 7: Merge the 2 panoramics

Now we need to put one image inside of  the other.  Copy the first image to your clip board.  Then open up your second image and hit paste.  Drag the new layer so that its below the larger image.  Use the Rectangle Marquee Tool to re-size and rotate your image so that it fits nicely in the middle of the larger image.

Step 8: Cleanup

Chances are you will have some empty space where the circle meets itself.  In my photo this happened at points with trees which tend to be really easy to fix.  I just used the lasso tool, Selected part of the trees and pasted those into the blank areas to fill in the space.  You could also use the clone tool to touch up these areas as well

Step 9: Fill in the blanks

Our final step is to fill in the rest of the whitespace.  In my photo the background is solid white so this one is pretty easy.  We’ll just add a white background to fill out the area along the edges.  If you have a textured background you could utilize the clone tool to fill in these areas as well.

And thats it!  Now you have created your first Polar Panoramic Image.  Make sure to share your panoramics at the IMA Flickr Group.

(via hanginthere)

Happy Holidays everyone!

The Pharmacy prescribes the following links to combat Monday online anemia.

www.eatmedaily.com

Blog: Eat Me Daily

Eat Me Daily is a blog about food with a critical (and sometimes cynical) take on the culture at large, including media, books, cookbooks, art, design, celebrity, fashion, robots, and cookery.

ArtBabble Video: Director’s Journal: Virgin of Guadalupe

IMA Work of Art:

LOVE by Robert Indiana

Tweet:

vangoghmuseum: @boijmans Congratulations on the launch of ArtTube, a brand new videochannel! the Dutch #ArtBabble?

Location: Surround yourself and your guests with art by choosing a museum as your wedding venue. Tie the knot at the Indianapolis Museum of Art, the State Museum, the Eiteljorg or as our development events manager Jane will do on May 25, at the Columbus Museum of Art. Feel too formal? Try a smaller, local art gallery for a more intimate setting.

Invitations: Have your invitations custom made by a graphic designer rather than a stationary representative or company. You’ll find that most graphic designers are happy to take a break from their daily grind to help you out.

Dress: Find inspiration for your wedding attire at Breaking the Mode or other museum fashion exhibitions. You’ll have a better understanding of construction, materials, form and concept, so when you get to the store, you’ll be the expert.

Wedding Gift: Have your portrait painted for your spouse rather than buying the typical gift that most would want to hurl into the ocean on the honeymoon. If you are especially pleased with the piece, display it in on an easel to share with your guests at the reception.

Cake: Let your cake be inspired by your favorite work of art, painting or artist. Ceramics and other decorative art translate well to a wedding cake. I’m partial to this cake inspired by Wedgwood blue china with icing-like trim on jasperware, developed in England in 1775.

Decor: Vanessa, the IMA’s cooridinator of external events, offers several reception decor ideas. She suggests bright or subtle table linens arranged in ROYGBIV (color wheel) throughout the room. For table numbers and name cards, use postcards of your favorite works of art (from a museum gift shop) or designate tables after artists for guest seating. And you can always use Robert Indiana’s LOVE sculpture for table centerpieces or a cake topper.

Children: Have a table designated with an art teacher or artistic friend to keep the little ones occupied.

Photography: There are so many talented photographers out there. Just inform them of your style — modern, artistic or journalistic. After the wedding, be sure and blow up your favorite black & white closeup as the perfect piece to put in your home.

Favors: Send your guests home with notecard-sized canvas papers with water colors or jointed wooden mannequin forms that hold each guest’s place card as favors.

Anniversary: Whether your wedding day was so long ago it’s been deaccessioned from your mind or only a fews short brush strokes away, make plans to visit a favorite art gallery or museum. Commission a local artist to create a custom piece of art for your home — to commemorate the past year of marriage. I suggest the historic, yet romantic style of local artist Kyle Ragsdale.

Art has the potential to inspire so much, some aspects of which we may not at first even be aware. Its full influence on your wedding may only be evident in retrospect!