The Art World’s Nancy Drew

At a recent dinner party, a friend expressed his fascination with provenance (Defined: the history of ownership of a valued object or work of art). He was astonished that if he bought something as a bona fide purchaser, or in good faith, that he may someday be required to return it without compensation if it was found to be a valuable cultural relic that was stolen, looted or untrue in record of ownership. I, on the other hand, was astonished that this concept seemed so unfamiliar to him.

Previews_small

And perhaps this is why we began a series of articles in the IMA’s magazine on the provenance of important works in the Museum’s collection, written by Annette Schlagenhauff. As the IMA’s Associate Curator for Research, Annette has spent years tracing the paths of works of art from the artists’ hands to the walls of the IMA. The stories are fascinating and not without moral ambiguities and missing pieces. Read the rest of this entry »

A Quarterly Conversation

How do you make a magazine that captures the essence of a museum and theater, two historical estates, acres of glorious gardens and grounds, and a soon-to-be art and nature park? This is the question that has been on the top of my mind lately. It’s challenging, yet fun, to envision a magazine that entices readers to toss it aside half way through and come see for themselves. A magazine that demonstrates our mission and shows donors where their money is going. A magazine that the community sees themselves in and readers oceans away find engaging through online connections.

Previews

I sat down with IMA Senior Graphic Designer Matthew Taylor last week in the Design Studio to take a hard look at our current IMA membership magazine (Previews) and talk content and design. Read the rest of this entry »

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