Transparency and Museums (Part 2) – Reasons for Transparency

Museum TransparencyLast week in part one of this series, we looked at a working definition of transparency on which to base the context of our conversation.  There was some good discussion in the comments about the concept in general and specifically about the differences between the valuation of museum collections and deaccessioning practices.   Thanks to those of you who commented, and/or tweeted about the article.

Saying that transparency is a “good idea” is not enough to address concerns that many museums have about sharing  information in this way.  Today, we’ll spend some more time examining a few reasons why museum administrators should seriously consider an open approach to transparency as a strategic choice in running the museum.

Again, please chime in with thoughts / questions / analogies / etc…  Your thoughts really add to and enrich the conversation.  Do you think this would work in your museum?  What would be the biggest concerns that would arise?

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The Pharmacy

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The Pharmacy prescribes the following links to combat Monday online anemia.

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ArtBabble Video: Creation of a Tibetan Mural

Pema Rinzin paints a mural of the Buddhist Guardian Kings of the Four directions. Pema Rinzin on his personal decision to paint the Four Great Guardian Kings: “They are unique imagery in that they are solid; they are protectors; and they are closest to our human form. For example, in Tibet at the largest monasteries like Drepung, all the Guardian Kings are in the front of the monastery. I thought they would also protect us here in the United States and at the Rubin Museum.

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