Indianapolis Museum of Art Blog

One thing that I find interesting about writing for this blog is that I really have no idea what or even who is going to proceed or follow me. I get a date on the calendar that my post is going to go up, and that’s about it. So I was surprised to find out that Meg was so very interested in crunching numbers because today I’m writing about how I take care of our “Numbers 0-9,” by Robert Indiana. A marketing ploy, serendipity, coincidence, or the pervasiveness of numerality: you decide.

Anyway, I’m going to tell you how I help to keep our numbers clean and looking good (I get lots of help). For the past few years I’ve invited IMA summer interns working in other departments to help me and the conservation interns wash the “Numbers” (you can go here to Flickr to see a ton of images of our sculptures and Indiana’s various versions of the same sculpture on exhibit around the world).

Washing these 8 foot tall painted aluminum artworks is a fair amount of work, even when you have the good help I had. It’s a fairly straight-forward process to clean the sculptures: we simply wash them gently with soap (I use Orvus ) and water. Really, that’s it, some soap and water, a few ladders and lots of me acting like Mr. Miyagi and demanding perfect motions when doing the work.

Beyond the actual work it’s also a time when I can provide a real example of some of the maintenance we complete on the outdoor sculptures to interns in the other departments. After all (and this number is for Meg), there are over 50 artworks scattered throughout the IMA’s grounds, and soon to be a lot more over in the 100 Acres.

There are two other things that I wanted to mention, one is that you can go here and see a drawing by Robert Indiana that shows what the organization of the numbers meant to him and why we arranged them so. I’m always intrigued by this notion that just by putting two numbers together you can achieve a kind off greater meaning.
The second thing I wanted to mention is the fine Wikipedia article that Jasmine made about the numbers this spring. I have it on good word that invitations for Lunch with the IMA’s director have been sent out to the 5 that made Wikipedia articles of IMA sculptures. I’ve been digging around to see if others have been made, but haven’t found any. Speaking of that, I hope our IT department doesn’t check how many times a day I look at Wikipedia on this computer….

The heat of summer is definitely upon us and as I sit here in my office, I can’t help but wish I was outside roasting away! So, for those of you looking for a good excuse to get some fresh air and a little adventure, I thought I’d share with you my one of my new favorite pastimes… LETTERBOXING!

(stay tuned for a great way to experience the IMA grounds before the end of this post!)

A friend told me about how they went letterboxing on a recent vacation and was surprised that I’d never heard of it before. Letterboxing is similar to its more recent cousin, GeoCaching, and involves hiding small boxes with journals and stamps inside them. The idea being to bring your own stamp and journal with you to collect a log of all the treasures you have found! Letterboxers leave clues to the locations of boxes they have planted online for others to find. Experienced letterboxers can collect hundreds of stamps from around the country and individual boxes can stay alive for many years! As I began to learn a bit more about it… I was hooked!

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Rules. Everybody’s got ‘em, from Mom’s house to the big house. The Golden Rule, the infield fly rule, and the Rule of Thirds. Robert’s Rules of Order, rules of engagement, and the Rule of Law. Look both ways before crossing the street, keep your elbows off the dinner table, no playing ball in the house.

The IMA is no different. The museum’s “gallery rules” are rules for proper behavior around the artwork so that the collection is maintained in the best possible condition for generations to come. Most of the rules are common sense, if you stop and think about it. I mean, if Mom won’t let anyone eat pizza on her new sofa, do you think we want anyone near the Monet with a Double Decaf and a sticky bun? Think again, buck-o.

No touching is the Numero Uno rule we have. We humans are such tactile animals that we want to touch everything, from the shiny surface of Donald Judd’s Untitled, 1967 to the rough surface of Robert Indiana’s LOVE sculpture.

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