Indianapolis Museum of Art Blog

The Pharmacy prescribes the following links to combat Monday online anemia.

www.eatmedaily.com

Blog: Eat Me Daily

Eat Me Daily is a blog about food with a critical (and sometimes cynical) take on the culture at large, including media, books, cookbooks, art, design, celebrity, fashion, robots, and cookery.

ArtBabble Video: Director’s Journal: Virgin of Guadalupe

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This blog post is the second written by IMA Public Affairs intern Sarah Miller. Read her first post Personal Art Appreciation. She recently earned a Master of Arts Management with a Visual Arts Concentration from Columbia College Chicago and currently works at the Museum of Contemporary Photography in Chicago, Illinois.

Do you have any memories related to Robert Indiana’s Love sculptures? Or Anish Kapoor’s “Bean” in Chicago? What about Christo and Jeanne-Claude’s saffron-colored gates in New York’s central park? How about one of those giant spiders by Louise Bourgeois…or those cows on parade? Did you ever take a picture with one of these or another public art work? Well, I surely have (see me below). Something about the interactive nature of public art, and the feeling that it informally exists in its spot for me, rather than for a gallery space or for someone’s wall, really helps me enjoy public art. And I think regardless of if you like a piece or don’t, it inevitably makes you aware of your space, your participation in it, and someone’s efforts to enrich or change it. As a friend recently reminded me, these works at least make you ask, “Why is this here?”

Saying hello to a Juan Munoz sculpture

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The blogs tend to concentrate on the “tubes” and the IMA’s presence in the virtual world, so I’d like to take a moment and focus everyone’s attention back on the brick & mortar museum. I have been conducting a little research on the IMA, comparing it to some sister institutions – Detroit, Minneapolis, Cleveland, and St. Louis – and how our security department stacks up to others in operational costs and “bang for the buck.” During this research I have come to reaffirm, at least in my own mind, how unique the IMA is and how great our responsibility is to protect it.

I’ll try not to belabor the point with too many statistics, but in sheer square footage – 669,000 and change in the main building – the IMA ranks in the top ten out of about 230 other art museums. That’s a lot of square footage our security officers have to patrol each day, 24/7/365. And in that space is an art collection of roughly 54,000 pieces of art from all over the world and from all time periods.

Now, numerous other institutions have bigger buildings or more artwork, so let me add a few other amenities that the IMA has: a reference library, studio/education space, retail and dining areas, the 500-seat Deer-Zink events pavilion, and The Toby, a 600-seat theater to augment our warm-weather outdoor amphitheater.

IMA's campus and LOVE

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For those that don’t know, in one of my posts last spring I offered lunch with the IMA’s director, Max Anderson, in exchange for making a Wikipedia article about one of the IMA’s outdoor sculptures.  To make a long story short, 5 people made articles and just last week Max fulfilled his end of the bargain by having lunch with the Wikipedians at Pucks.  I joined them and so did Daniel and Despi.  The conversation was wide ranging and engaging and the lunch was good, too …. Mmm, Puck’s beet salad and flat bread.

The Wikipedians, Max, and I.

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One thing that I find interesting about writing for this blog is that I really have no idea what or even who is going to proceed or follow me. I get a date on the calendar that my post is going to go up, and that’s about it. So I was surprised to find out that Meg was so very interested in crunching numbers because today I’m writing about how I take care of our “Numbers 0-9,” by Robert Indiana. A marketing ploy, serendipity, coincidence, or the pervasiveness of numerality: you decide.

Anyway, I’m going to tell you how I help to keep our numbers clean and looking good (I get lots of help). For the past few years I’ve invited IMA summer interns working in other departments to help me and the conservation interns wash the “Numbers” (you can go here to Flickr to see a ton of images of our sculptures and Indiana’s various versions of the same sculpture on exhibit around the world).

Washing these 8 foot tall painted aluminum artworks is a fair amount of work, even when you have the good help I had. It’s a fairly straight-forward process to clean the sculptures: we simply wash them gently with soap (I use Orvus ) and water. Really, that’s it, some soap and water, a few ladders and lots of me acting like Mr. Miyagi and demanding perfect motions when doing the work.

Beyond the actual work it’s also a time when I can provide a real example of some of the maintenance we complete on the outdoor sculptures to interns in the other departments. After all (and this number is for Meg), there are over 50 artworks scattered throughout the IMA’s grounds, and soon to be a lot more over in the 100 Acres.

There are two other things that I wanted to mention, one is that you can go here and see a drawing by Robert Indiana that shows what the organization of the numbers meant to him and why we arranged them so. I’m always intrigued by this notion that just by putting two numbers together you can achieve a kind off greater meaning.
The second thing I wanted to mention is the fine Wikipedia article that Jasmine made about the numbers this spring. I have it on good word that invitations for Lunch with the IMA’s director have been sent out to the 5 that made Wikipedia articles of IMA sculptures. I’ve been digging around to see if others have been made, but haven’t found any. Speaking of that, I hope our IT department doesn’t check how many times a day I look at Wikipedia on this computer….