I’ve been at the IMA for over two years now, and without a doubt one of the most talked about art installations over that time has been Orly Genger’s Whole, which lived mainly in the Efroymson Family Entrance Pavilion. It stood in a place that ensured each and every visitor who walked through those doors had to confront and acknowledge the installation in some way. I’ve been a huge fan of quietly observing over-the-top drama for all of my life, so this was right up my alley and I’ll miss it for sure.
The Design & Installation team taking down Orly Genger: Whole
