Indianapolis Museum of Art Blog

My guess is that you’ve never considered what motorcycles, medical illustrators, Madrid, two cameras that can see into the Infra Red, and underdrawings in Renaissance-era paintings have in common.  Frankly, before last summer I hadn’t either, and now that I’ve started out this way it’s going to take some work to connect all of these things together.  To do it, I’m going to break this post into two parts. Today I’ll give my side of the story and tomorrow you’ll hear from my new friend, Charles Falco, who will tell his.

Group IR Shot. David Miller, Charles Falco, Richard McCoy, Zina Deretsky, Aimee Allen, Christina Milton-O'Connell, and Linda Witkowski

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For reasons I’ll explain later, I’ve been digging around on youtube.com and other places for videos about art conservation . Today I found one of my all-time favorite videos about conservation.

It’s a video of Grant Romer of the George Eastman House talking about the famous Abraham Lincoln glass plate negative. I think there’s a lot to like about this video: it’s a great subject; the video is well produced (note that this “video” is made entirely from still images); and I think Grant Romer’s voice sounds a lot like William Carols Williams’. What’s not to like?

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