Columbus Day at the IMA

From writing large-scale, big-budget marketing plans to proofing marketing pieces for the printer, I generally have about 15-30 different projects cross my desk every day. Some things take a considerable amount of attention, while others take seconds. Some days I have six meetings, while others I have just one. As with many jobs, my position requires me to switch back and forth between projects all day, every day. At times, I find the harried nature and varied scope of my work to be exhausting. But most of the time, I find it exhilarating. Regardless, I love every minute.

To give you an overview of what someone who works in museum marketing does , I thought that I’d outline my typical day. In order to do that, I recorded my activities throughout the past Monday. While some of you were relaxing (or partying) on your Columbus Day off, I was hard at work with my fellow colleagues at the IMA.

party-columbus-day

Image taken from ugotbling.com

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Summer Nights Movie Critic: Part Two

Ray Pawulich

The following post was written by Ray Pawulich. Ray currently lives in Indianapolis. He went to film school for a couple years, so he thinks he knows what he’s talking about. Here’s part two of his series on Summer Nights here at the IMA.

Every so often, someone tells me I remind them of John Cusack. When this comes from strangers, it’s kind of flattering. But when it comes from your own mother, it can be a little disturbing.

Such was the case in the spring of 2000 when my mother called to let me know she’d seen a movie called High Fidelity and insisted I’d enjoy it too. According to her, Cusack’s character in the film, Rob Gordon, was “just like” me.

On the surface, this was not a very complimentary observation. After all, Rob Gordon is no Lloyd Dobler, the tried-and-true romantic Cusack played in Say Anything. Nor is Rob as cool as Martin Blank, Cusack’s detached-yet-vulnerable hitman from Gross Pointe Blank. Instead, he’s neurotic, jealous, self-defeating, co-dependent and completely incapable of committing to anything. (Thanks mom.)

Image courtesy of PHOTOFEST

Image courtesy of PHOTOFEST

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Summer Nights Movie Critic: Part One

Ray Pawulich

The following post was written by Ray Pawulich. Ray currently lives in Indianapolis. He went to film school for a couple years, so he thinks he knows what he’s talking about. Here’s part one of his series on Summer Nights here at the IMA.

Growing up in a relatively insulated Indianapolis suburb, many of the defining experiences of my youth were lived vicariously though film characters who came of age in the 1970s. The fact that early 90s suburban kids like myself were hungry for this kind of entertainment was not lost on the filmmakers of the day; for awhile there, it seemed all you had to do to get your movie on video store shelves was to pack it with drug references and give it a retro soundtrack. And while some of these films have endearing qualities (The Stoned Age remains a personal favorite), none can match the subtlety or artistry of Richard Linklater’s Dazed and Confused.

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Staying Anonymous

Another Bloggers Anonymous is happening this Friday at the IMA, and we couldn’t be more excited!

Dan Tweets

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Snapshots

Installation Nation

"Installation Nation" at College Avenue and Michigan Street vacant lot

The local photo blog The Heidelberger Papers presents a regular visual exploration of Indianapolis through photographs and captions. The upcoming IMA exhibition Judith G. Levy: Memory Cloud will employ plastic photo viewers containing 35 mm slides to conjure memories, many of which visitors will have the chance to peer through, others of which will be out of reach. These two items prompted me to post my snapshots from the past weeks. Do we have some shared experiences? Read the rest of this entry »

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