On Writing a Book

It seemed like a good idea at the time. When I was first approached about being one of four contributing writers to a history of the first 125 years of the Indianapolis Museum of Art, I didn’t hesitate to sign on. After all, I’d already been one of three co-authors of The Herron Chronicle, a history of the Herron School of Art (released in 2002), and the author of For the Sake of Art, a history of the Indianapolis Art Center (released in 1999). And before resigning in April 2007, I had spent 10 years as the visual arts writer for The Indianapolis Star—covering the IMA had been one of my primary responsibilities.

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Art Critic for Indy

estudo critico by Ricardo Biriba

After an IDADA “First Friday” filled with downtown gallery tours — Road Trip at the Harrison Center, Square One at Stutz Art Space, Focus: Midwest at MiCo, Television Hates Itself in the Sidecar Gallery of the Big Car Gallery — you might think the local media would be full of rave reviews or uninspired remarks.

But alas, Indy hasn’t had an art critic for as long as anyone I talked to can remember. Unfortunately, this news is common as papers across the country are eliminating art critics from their press. Just this week the chief dance critic for the Los Angeles Times was canned. Paul Hodgins of The Arts Blog writes:

There’s a pervasive feeling among many decision-makers at newspapers that arts coverage doesn’t matter anymore – or, more accurately, that it’s not important to the kind of readers they’re trying to reach.

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