This Saturday, November 7, choreographer Oguri and the L.A.-based dance company Body Weather Laboratory bring Caddy! Caddy! Caddy! to The Toby. Named for a character in William Faulkner’s novel The Sound and The Fury, the performance features slow movements drawn from the modern Japanese art of Butoh. In the interview below, Oguri puts his work in context.
At a recent dinner party, a friend expressed his fascination with provenance (Defined: the history of ownership of a valued object or work of art). He was astonished that if he bought something as a bona fide purchaser, or in good faith, that he may someday be required to return it without compensation if it was found to be a valuable cultural relic that was stolen, looted or untrue in record of ownership. I, on the other hand, was astonished that this concept seemed so unfamiliar to him.
And perhaps this is why we began a series of articles in the IMA’s magazine on the provenance of important works in the Museum’s collection, written by Annette Schlagenhauff. As the IMA’s Associate Curator for Research, Annette has spent years tracing the paths of works of art from the artists’ hands to the walls of the IMA. The stories are fascinating and not without moral ambiguities and missing pieces. Read the rest of this entry »
The Forefront exhibition Adaptation: Video Installations by Ben-Ner, Herrera, Sullivan and Sussman & The Rufus Corporation is being celebrated tomorrow night at the IMA with a talk with video artist Eve Sussman followed by a reception. Sussman is a leading figure in contemporary video art and has transformed the medium with her use of lavish production values and stylized methods of filming. If you are an emerging filmmaker, contemporary video art lover, or just curious, bring your questions. Tickets are free!
Guy Ben-Ner is another artist featured in the exhibition Adaptation. IMA Curatorial Associate of Contemporary Art Allison Unruh and I had the pleasure of asking Ben-Ner about his work earlier this year:
Interview with video artist Guy Ben-Ner
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Similar to my aggressive alarm snoozing incident this morning, I’m late on this one, but only by a day! I have been clueless (thanks for the tip Kate), but apparently April 27th is recognized as World Graphics Day. According to Wikipedia:
World Graphic Design Day is celebrated on April 27, the anniversary of the founding of Icograda, the world body for graphic design, in 1963. It is a day to celebrate the profession of graphic and communication design. The day has been celebrated since 1995.
Now if we could only abolish Comic Sans! But since we can’t, you should do yourself a favor and meet film director Gary Hustwit (Helvetica) and see his latest documentary, Objectified, which is a film about the creative process of product design. It is at the Toby here at the IMA on May 14th 2009! The film features designers who shape our manufactured environment and our interfaces with mass-produced objects including the people behind IKEA furniture and the iPod. Click here to read more about the event. Hope to see you there!
I get in the design groove by listening to music, and this seems to be all too fitting. Dert’s CMYK ep should help you get those creative graphic design juices flowing. Pay as you please… dope indeed.
Since boyhood, I’ve had a fascination with music and electronics. Unsurprisingly then, I’m also fascinated by electronic music and can remember waiting for nearly a day for ReBirth, a Roland 808 emulator, to download over a 28.8k modem. We all wanted to make classic rap beats at age 14, right?
Since then, I’ve ditched the dial-up modem for broadband and ReBirth for a full blown electronic music production suite called Reason. Needless to say, I’m still fascinated by electronic music. However, what is more fascinating to me is that electronic music production has gotten to the point where musicians can now be recognized for being able to play a laptop just as well as someone who can play a piano. Here’s a neat fact, an electronic instrument called a “Drumitar” has been used to win five Grammy Awards. Check out a video of it being played here. Read the rest of this entry »
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