Homage to Whole and Entrance Pavilion Update

I’ve been at the IMA for over two years now, and without a doubt one of the most talked about art installations over that time has been Orly Genger’s Whole, which lived mainly in the Efroymson Family Entrance Pavilion. It stood in a place that ensured each and every visitor who walked through those doors had to confront and acknowledge the installation in some way. I’ve been a huge fan of quietly observing over-the-top drama for all of my life, so this was right up my alley and I’ll miss it for sure.

The Design & Installation team taking down Orly Genger's Whole | 6/15/2009

The Design & Installation team taking down Orly Genger: Whole

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The Whole Thing

The IMA Blog team welcomes New York-based artist Orly Genger as a guest blogger.  We asked her to share some thoughts on her IMA exhibition, Whole.

I’m obsessed with making something that matters. I’m obsessed with working. And I believe that it is only through hard work that good work is made.

One of the most important things to me has always been to keep my hands moving, to keep making things. I worry about what I make and what it means after I make it.  I also used to think that talking about art, especially your own art, ruins it. That’s partly why I dropped out of art school. But I’ve softened on that in recent years, which is maybe a result of having gone to art school. I do talk here and there about my work and hope it won’t ruin anything, but instead reveal a bit about the way I’m thinking, at least in the moment.

Overhead shot of "Whole"

Overhead shot of "Whole"

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Keeping the momentum

I’m celebrating 4 years at the IMA today and it’s hard not to reflect on that.  It may not be a very long time in terms of a career, but it makes for a lot of audio, video and web projects, not to mention exhibitions and new innovative projects.

The first in-house video I worked on at the IMA was re-editing an African Pottery Techniques documentary shot in Burkina Faso.  At the time, it was a pretty big step for the museum – to actually do this in-house, quickly, easily and for free.  When I compare that to our latest  video release on Orly Genger’s installation “Whole”, I kind of laugh.  We shot this video in HD, incorporated Time Lapse, used a lift for certain shots and then published to YouTube.  Check it out below.

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