Barbie Loves Ken, Ken Loves Barbie

 
Artist
Creation date
Materials
embroidery on canvas, hangers
Dimensions
A) 59 3/4 x 24 1/4 x 4 in. | B) 63 x 24 x 6 in.
Credit line
Ann M. Stack Fund for Contemporary Art in honor of Lisa D. Freiman, Chair, Department of Contemporary Art
Accession number
2004.74
Collection
Not Currently On View
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Indianapolis Museum of Art: Highlights of the Collection (2005)

This work questions the role of stereotypes-what Ghada Amer refers to as "the idea of the model"-and the various ways they can be interpreted. Amer made two jumpsuits, one noticeably "female" and the other recognizably "male." Embroidered across the suits are the words "Barbie loves Ken" and "Ken loves Barbie." This famous couple may evoke childhood memories of a powerful role-playing game. The fantasy of the perfectly beautiful Barbie meeting the handsome, romantic Ken becomes a stereotypical heterosexual model that many young girls aspire to re-create in their own lives.

Here, though, we have just the suggestion of these emblematic dolls, blown up to life-size. Barbie and Ken are missing, replaced by absent bodies for us to inhabit. But what woman or man could fill these suits, with their loaded childhood dreams? Are these outfits empty because people have abandoned the limitations of these roles? Despite the title of the work, the absence of a female in Barbie's suit or a male in Ken's leaves open the possibility that either gender could choose which one to wear. Amer characteristically resists the rigid gender fixity that these childhood toys rely upon.

The idea of the model to be followed is what interests me in stereotypes; and we are all confronted by this in our lives.
-Ghada Amer, 1994