- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Creation date
1870
Materials
oil on canvas
Mark Descriptions
L. R.
Pierre Cabanel
1870
Dimensions
52 x 31 in.
Credit line
James V. Sweetser Fund
Accession number
81.296
Collection
Not Currently On View
Private German collector, possibly B.A. König;{1} sale, (Sotheby's, London) in 1981;{2} purchased by the Indianapolis Museum of Art in 1981.
{1}The name "B.A. Konig" is written on the verso of the frame in white chalk. Correspondence with Sotheby's London in September 2009 could neither confirm or deny this, due to client confidentiality policies, though Sotheby's noted that the consignor was "a private client in Germany."
{2} The painting was included in Sotheby's, London, "Nineteenth-century European Paintings," 6 May 1981, as lot no. 118 (ill.). According to the correspondence with Sotheby's London cited above, the painting did not sell, but was sold privately to the IMA shortly after the sale.
As regards the early history of this painting, it is possible that it was included in the 1870 Paris Salon as no. 439: Pierre Cabanel, Daphnis et Chloé. The painting was also reproduced, without a credit line, in Julian Hawthorne, ed., The Masterpieces and the History of Literature: Analysis, Criticism, Character and Incident, Chicago, New York, vol. 7, 1903, after p. 73 as Pierre Cabanel, Daphnis and Chloe.
{1}The name "B.A. Konig" is written on the verso of the frame in white chalk. Correspondence with Sotheby's London in September 2009 could neither confirm or deny this, due to client confidentiality policies, though Sotheby's noted that the consignor was "a private client in Germany."
{2} The painting was included in Sotheby's, London, "Nineteenth-century European Paintings," 6 May 1981, as lot no. 118 (ill.). According to the correspondence with Sotheby's London cited above, the painting did not sell, but was sold privately to the IMA shortly after the sale.
As regards the early history of this painting, it is possible that it was included in the 1870 Paris Salon as no. 439: Pierre Cabanel, Daphnis et Chloé. The painting was also reproduced, without a credit line, in Julian Hawthorne, ed., The Masterpieces and the History of Literature: Analysis, Criticism, Character and Incident, Chicago, New York, vol. 7, 1903, after p. 73 as Pierre Cabanel, Daphnis and Chloe.
