- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Creation date
about 1765
Materials
oil on canvas
Dimensions
24 x 36 1/4 in.
Credit line
James E. Roberts Fund
Accession number
77.54
Collection
Currently On View
While the majority of Barret's landscapes depict specific sites in Britain, this canvas presents one of his rare classical subjects. The small figures clad in togas, the warm light, and the distant view framed by foreground trees and ruins derive from the classical landscapes of Claude Lorrain. Since Barret never traveled to Italy, this scene must have been inspired by other paintings, most likely by the works of the "English Claude," Richard Wilson.
Provenance Research is on-going at the Indianapolis Museum of Art, and information will be added to this record as research is completed. Please contact Annette Schlagenhauff, Assoc. Curator of Research, at aschlagenhauff@imamuseum.org with any questions.
