- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Creation date
modeled 1885, cast 1960
Materials
bronze
Dimensions
5 1/2 x 23 x 17 in.
Credit line
Gift of B. Gerald Cantor
Accession number
68.32
Collection
Currently On View In
Norb and Ruth Schaefer, Sr. & Norb and Carolyn Schaefer Gallery - H211
With her outstretched, contorted limbs, The Martyr could well be the quintessential form of The Gates of Hell, signifying emotional as well as physical torment. As an independent figure, she appears here in a horizontal format. Within The Gates, Rodin assigned her an upright position in the lintel, situated just to the left of The Thinker.
B. Gerald Cantor [1916-1996], Los Angeles; given to the Indianapolis Museum of Art in 1968 (68.32).
