- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Creation date
about 1640
Materials
oil on canvas
Dimensions
20 1/2 x 26 5/8 in.
Credit line
Delavan Smith Fund
Accession number
57.209
Collection
Currently On View In
William L. and Jane H. Fortune Gallery - H214
This scene represents the miracle that marked the culmination of Christ's ministry on earth. He raises his hand and commands Lazarus to rise from his tomb: "Lazarus, come forth." The dead man, still wrapped in his shroud, clasps his hands together in a gesture that registers his recognition of Christ's divinity. The miracle foreshadows Christ's own resurrection.
Vaccaro's works are distinguished not only by their assimilation of Caravaggio's strong contrasts of light and dark, but by their classical restraint and gravity of expression. The latter traits derive from the Bolognese master, Guido Reni.
Provenance Research is on-going at the Indianapolis Museum of Art, and information will be added to this record as research is completed. Please contact Annette Schlagenhauff, Assoc. Curator of Research, at aschlagenhauff@imamuseum.org with any questions.
