- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Creation date
about 1696
Materials
oil on canvas
Dimensions
19 1/8 x 24 1/4 in.
Credit line
James E. Roberts Fund
Accession number
62.163
Collection
Currently On View In
William C. Griffith Jr. and Carolyn C. Griffith Gallery - H215
Edwaert Colyer was a specialist in trompe l'oeil compositions like this one, designed to fool the eye with its convincing illusion of reality.
The letter rack holds papers that relate to important political events during the reign of William III of England. There is a copy of the king's speech to Parliament following a failed attempt to assassinate him and a paper that alludes to the Treaty of Turin (1696), which precipitated the collapse of the Grand Alliance against the French. Another folded paper is inscribed with the artist's name. The painting can perhaps be understood as a comment on the fleeting nature of earthly power.
Provenance Research is on-going at the Indianapolis Museum of Art, and information will be added to this record as research is completed. Please contact Annette Schlagenhauff, Assoc. Curator of Research, at aschlagenhauff@imamuseum.org with any questions.
