Study of a Young Woman

 
Artist
Creation date
Materials
oil on canvas
Dimensions
32 x 25 in. 41 x 33 in. (framed)
Credit line
Gift of Mrs. John N. Carey
Accession number
38.34
Collection
Currently On View
Reproduction of these images, including downloading, is prohibited without written authorization from VAGA.

350 Fifth Avenue, Suite 2820
New York, NY 10118
Tel: 212-736-6666
Fax: 212-736-6767
e-mail: info@vagarights.com
site: http://www.vaga.org/

William Merritt Chase and His Munich Palette

A native of Indiana, Chase studied first in Indianapolis and then in Munich, where he shared a studio with Frank Duveneck. Like Duveneck, he outgrew the limitations of the Leibl School in the 1880s, but retained an allegiance to the black tones of Frans Hals and Édouard Manet. Much of his work from this period consists of casual studies.

There is no evidence to support the traditional title A Spanish Girl or the date 1896, when Chase paid his third visit to Spain. In fact, the dress was common in the United States during the 1880s. Moreover, the style is typical of Chase’s work from around the middle of that decade, which was influenced by the dark tonalities of his Munich period. The canvas is painted in broad, straight brushstrokes, which have the panache, but lack the subtlety of his mature technique. The painting nevertheless has the liveliness of his best informal portraits. Like many other American artists of the period, Chase was at his best painting young women, whose beauty he captured and even flattered with his technique. Curiously enough, he endowed most of them, including this sitter, with the features of his wife, who provided his ideal of femininity that lasted unabated until his death.

Pisano, Ronald G. William Merritt Chase: The Complete Catalogue of Known and Documents Work by William Merritt Chase (1849-1916), Vol. 2: Portraits in Oil. New Haven Connecticut: Yale University Press, 2007.