- Visit

- The Museum

- The Virginia B. Fairbanks Art & Nature Park: 100 Acres

- Oldfields - Lilly House & Gardens

- Gardens & Greenhouse

- The Toby

- Miller House & Garden

- Family Visits
- Adult Group Tours
- Accessibility
- The Museum
- Events & Programs

- Exhibitions

- Collections

- Search the Collection
- Browse the Collection

- African Art
- American Painting and Sculpture to 1945
- Ancient Art of the Americas
- Ancient Art of the Mediterranean
- Architectural Sites
- Asian Art
- Contemporary Art
- Decorative Arts
- Design Arts
- European Painting and Sculpture to 1945
- Native American Art
- Oceanic Art
- Prints, Drawings, and Photographs
- Textile and Fashion Arts
- Conservation

- Deaccessioned Artworks
- Recent Acquisitions
- Research

- Give & Join

- About

- CalendarShopLogin
Artist
Haden, Seymour | 1818-1910
Creation date
1863
Materials
etching
Mark Descriptions
signed in pencil, below image, L.R.: Seymour Haden
Dimensions
7 x 13 1/8 in (image)
8 1/8 x 14 in (sheet)
Credit line
Bequest of Delavan Smith
Accession number
25.86
Collection
Not Currently On View
Whistler had just moved into lodgings in Lindsey Row, Chelsea, when his brother-in-law, Seymour Haden, made this etching of it (the sunlit façade at the left-center). From this house, Whistler would make some of his finest etchings of Chelsea, the Thames and the old wooden bridge that led to Battersea on the western outskirts of London.
"Great care was taken in the drawing, especially in the foreshortening of the barges, which gave me infinite trouble, I remember. [The etching plate] wore out very soon and had to be destroyed before it had given its full quota of impressions."
-Seymour Haden
